[Matt Cahill] “It would be a real confidence booster if I could have access to the waveform and vector from any place in the work flow, just the same as I can in any edit bay with a decent patch set-up. For that matter, why can’t I open up as many waveform and vector scopes as I want? I should be able to assign each instance to a window I designate – I mean, isn’t that what computers are supposed to do – extend the capabilities of the editor?”
This has been implemented that way in Media 100 HD and sw. Now you can monitor your levels from a timeline. Still I would recommend to have a waveform/vectorscope connected to your SDI out.