Forum Replies Created

  • You have to activate in the TFD container>simulation tab>velocity tab> particles velocity scale to 100%

  • Same issue here

  • Felix Frank

    October 31, 2016 at 5:56 am in reply to: Resolve for color and editing but then how to VFX???

    Sorry for that one!!!
    I wanted to say fusion but my hand wrote nuke…?

  • Felix Frank

    October 31, 2016 at 1:06 am in reply to: Resolve for color and editing but then how to VFX???

    Hmm I see,

    I thought as Resolve wants to position itself on the maket as NLE they could offer a better solution for a VFX pipeline.
    As they bought Nuke they cater to the VFX world so why not altho from Resolve???

    Well maybe its just an outcry to the developers out there to offer better workflows.

    thanks for your answer
    ff

  • Felix Frank

    November 19, 2008 at 12:59 am in reply to: Witch settings for HD Cam Capture

    Hey,

    I don’t have a capture card. Its a G5 with 2 x 2,4 GB processors with 4 or 8 nucleos and 8 GB Ram and
    Final Cut Studio 2.
    I have enought space to archivate. I don’t need to offline because I have to track the Full Hd footage and make the effect shots in After Effects.
    I can work with low playback video quality and quarter playback frames in Final Cut to make the edit. At least I hope that it will work so.
    So what is the correct capture setting HDTV ??? or DVCPRO ???
    Later when I drag the footage in the sequence FC puts automaticaly the best sequence and playback settingh, no?
    Its shot on HD Cam sony 650.

    thanx
    felix

  • Felix Frank

    November 14, 2008 at 2:21 pm in reply to: How to work with proxys or offline in FCP

    Hey there,

    Does anybody know how I can work offline but maintain the same pixel dimensions or the same image size so that my tracked 3d will stay in place in i put my video footage online.

    felix

  • Felix Frank

    November 12, 2008 at 7:12 pm in reply to: How to work with proxys or offline in FCP

    Hey again,

    I see things clearer now but still don’t understand exactly the workflow.
    I capture in Full HD and make it with the media manager offline as a .jpeg sequence.

    Than I open the shots I need in Boujou make the 3D tracking.
    Go to Maya render with the tracked camera my 3D Toons.
    Composite in After Effects the effects, particles and so on and render this out with alpha but without the video layer
    Then bring it back to final cut, put my 3D on the top layer and hope once the Video is online in Full HD that everything is on the right place???

    Think its a bit risky, no???
    Other ideas ?????

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