Replies – Forums – Eugene Lehnert

Forum Replies Created

Page 1 of 8

1 2 … 8 →

Eugene Lehnert
November 8, 2016 at 6:56 pm in reply to: Stabilizing a tracking shot

Mocha Pro has everything I need? The version that comes with After Effects would not work?

Thanks Marc.
Eugene Lehnert
May 18, 2015 at 8:48 pm in reply to: “Resolve Failed to Open Project”

I’m currently using a Disk Database. Could the database of gotten too large?
Eugene Lehnert
October 15, 2014 at 6:21 pm in reply to: FCP 7 to DaVinci Alexa workflow problems

Turning on Assist using reel names from the embedding in source clip file connected all the Alexa footage properly. The MVI 5D files don’t come in correctly but there are not as many of those.
Eugene Lehnert
October 15, 2014 at 6:11 pm in reply to: FCP 7 to DaVinci Alexa workflow problems

So it looks like it’s the multiangle/clip problem. But when I media manage the sequence and I create a new XML Resolve is telling me the clip is missing or the timecode extents are wrong.

Any ideas?
Eugene Lehnert
December 11, 2013 at 5:31 pm in reply to: Changing resizes performed in Final Cut

Thanks Brandon. I expected the transform information to go into the resize section of the color tab. Thanks.

What do you do when Resolve can’t read media managed files from Final Cut Pro without the “.mov” extension? I have a script that adds “.mov” to these files. Any pointers?
Eugene Lehnert
August 23, 2013 at 9:14 pm in reply to: Working 2k Amamorphic from RED

I know the film will be screened as a DCP if it gets theatrical distribution. Film is few and far between for my clients these days. My client is on a budget and trying to keep his options open. I also do not have a RED Rocket card so I need to debayer to DPX before the color grading can begin. He’s also on a tight budget so I’m trying to figure out the most efficient workflow. I also only have a Rec709 monitor.

Thanks!
Eugene Lehnert
August 23, 2013 at 3:18 pm in reply to: Working 2k Amamorphic from RED

If my client gets a film out that is a substantial loss in quality no? It’s almost half the vertical resolution and about a million pixels less then the anamorphic film resolution. If I work in 1828×1536 then I’m working in a lower horizontal resolution. I thought working in 2048×1716 would be a good mezzanine resolution.
Eugene Lehnert
August 23, 2013 at 3:55 am in reply to: Working 2k Amamorphic from RED

I’m merely trying to work at a 2k resolution that retains the anamorphic aspect ratio. Working at 2048×1716 would allow me to resize the image to the DCP resolution and the 2k film out resolution.

What is the typical workflow for Anamorphic 2K projects?
Eugene Lehnert
August 1, 2013 at 10:15 pm in reply to: Viewing 2K as downconvert HD

Great thanks. I’m used to using a Kona card where the video conversions are only available in the higher end cards.
Eugene Lehnert
August 1, 2013 at 9:02 pm in reply to: Viewing 2K as downconvert HD

So any Decklink card can be used? Is it the Graphics Card that does the downconversion to HD then?

Thanks

Page 1 of 8

1 2 … 8 →