Forum Replies Created

Page 217 of 282
  • Eric Santiago

    September 20, 2015 at 3:50 pm in reply to: 4K Workflow with Proxies – Need Clarification

    Do a rough cut with 720p proxie.
    Do your zoom edits on that.
    Then replace with 4K files later.
    Keep the names intact.
    Ive doing the same with an inherited RED project.
    The proxies are HD and manageable (over 1100 clips).
    I did all the pan/scan in Resolve using the original RED files,then brought back to Premiere.

  • Eric Santiago

    September 18, 2015 at 5:28 pm in reply to: RESOLVE – Won’t recognize clip in Library.

    I have the same issue with an inherited Premiere project exported to FCP XML.
    The R3D file exists and its also in the Media Pool.
    But its persistent in the XML that is missing.
    You see the error at import (used Proxies in PPr, imported without extension) and cant seem to figure out why it hates this one particular RED clip.

  • Eric Santiago

    September 15, 2015 at 12:37 pm in reply to: Avid importing/exporting issues

    I do believe that’s the old Gamma issue with QuickTime.

    I thought that was fixed a long time ago?

    Do a search here, its been well documented.

  • Eric Santiago

    September 15, 2015 at 12:34 pm in reply to: How to optimize your FCPX experience

    I’ve had stellar workflow mainly with RED 4K DCI formats.
    Mostly shot with my Scarlet and some with EPIC/DRAGON.
    2 features a slew of shorts/music videos on a Mac Pro 2012 w/ROCKET card and now a nMP (no ROCKET required).
    I am using both 10.4 on the Mac Pro and latest in nMP.
    Combinations of SAS cards, Decklinks and GTECH drives helps with my workflow.
    I do get the same results with Avid, Pro Tools, Premiere and sometimes Resolve.
    In the end I love FCPX and RED files.
    Way less tinkering when moving projects around.
    I have to deal with numerous Directors that edit their own masterpiece.

  • Eric Santiago

    September 14, 2015 at 12:44 pm in reply to: Media Composer licensing frustrations

    Always always contact Marianna 🙂

    I hope one day they fix their website login.

    Ive had to login every instance and click on the link to my account crap.

    Its been a few years and still have to do that.

  • Eric Santiago

    September 11, 2015 at 5:51 pm in reply to: Another “Segmentation fault” problem

    I was told years ago that 5000 files is the limit.

    I try to keep this reasonable but there are times I forget to check.

  • [Herb Sevush] “This is not a feature, it is a bug. Fortunately for me this is a rare occurence.”

    Currently its been haunting me due to this feature project with RED files.
    Now Im finding new bugs where clips are missing audio in the timeline but they exist in the original clip.
    I love inheriting projects 😛

  • I would love to start one if only I can get past Premieres inability to select more than one clip in the Link Media window.
    Ive posted this question in every possible forum e.g. REDUSER, Adobe, CreativeCow, etc…
    Still no answer.
    Btw posting this here is…you know…open for “discussion” 😉

  • Eric Santiago

    September 8, 2015 at 5:05 pm in reply to: I wish FCPX adopted these Premiere Pro features

    [Mathieu Ghekiere] “there is a thread made for that, a couple of threads below this one ;-)”

    I am stuck on one idiotic problem with using RED files and Premiere.

    Trying to force relink RED files after OFFLINING proxies is a nightmare.

    You cant select more than one file in the Find Media window.

    That is ridiculous!

    Its smooth as butter in FCPX 😛

  • Eric Santiago

    September 8, 2015 at 2:40 pm in reply to: Avid DNxIO, Mojo DX and Nitris DX Comparision Table

    Curious about the Pro Tools part.

    Is that strictly for video playback?

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