Emre Tufekci s.o.a.
Forum Replies Created
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You need the DVCPROHD codec installed on your computer, the problem is the codec is not a free codec and it was licensed to FCP…Not Quicktime.
I am not aware of any other 3rd party applications that has DVCPROHD codec licensed to it (other than NLE’s).
Maybe somebody else on this forum knows one?
Emre Tufekci
http://www.productionpit.com -
-Compositing
-FX Work
-Color Grading
and so on….garbage in, garbage out.Emre Tufekci
http://www.productionpit.com -
The 2700 is an excellent choice, I have been a Sony user since 1993 and completely moved over to Panasonic in the last few years. We have been working tapeless for 4 years and with todays prices+technology+cost it is the easiest thing to implement into your workflow.
We have the 2700 and 3000 and could not be happier. I would not worry about the SD requirements, All major NLE’s (Avid, FCP..etc) can mix or down/cross convert your content very easily and fast.
Emre Tufekci
http://www.productionpit.com -
I think I see it but cant explain it, I think you should contact Panasonic and maybe send it the unit.
https://www.pstc.panasonic.com/WhereTo/FindServicer.asp?ValidJS=1&Pass=9
Emre Tufekci
http://www.productionpit.com -
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There is some compromise in the quality and workflow, I think the biggest problem you will be faced with is going to be vibration as opposed codec quality. Other problems should be lack of manual control but the benefit is size.
HD Video Resolution Modes: (subject to change, pending final firmware release)
1080p = 1920×1080 pixels (16:9), 30 fps, 15 Mbit/s data rate
960p = 1280×960 pixels (4:3), 30 fps, 12 Mbit/s data rate
720p = 1280×720 pixels (16:9), 60 fps, 15 Mbit/s data rate
720p = 1280×720 pixels (16:9), 30 fps, 8 Mbit/s data rate
WVGA = 848×480 pixels (16:9), 60 fps, 8 Mbit/s data rate
Sensor Type: 1/2.5″ HD CMOS, 2.2µm-sized pixels
Light Sensitivity: Super low-light sensitivity (>1.4 V/lux-sec)
Video Format: H.264 compression, saved as Windows- & Mac-compatible MPEG4 (.mp4) file
Exposure Control: Auto with user selectable center weighted average and spot metering settings
White Balance: AutoEmre Tufekci
http://www.productionpit.com -
If you cant get the FCP to read your card put it into After Effects to see if you can read the MXF Raw. From AE you can export the contetn using FCP codecs as if you had ingested through Log and Transfer.
Same can be done through Avid using AMA. Hope this helps.
Emre Tufekci
http://www.productionpit.com -
I think you might need something like this.
https://www.goprocamera.com/index.php?area=2&productid=29
Emre Tufekci
http://www.productionpit.com -
The unit is not for broadcast application, there is virtually no delay but the signal strength is not for live output. Since the signal is digital you will not static but a straight drop out. Your effective range in a open area with a straight field of view is probably around 40-50 meters (to give a safe number).
We have done tests with better or worse results depending on the environment.
The units certified for live broadcast costs more around the 60K-100K range.
Emre Tufekci
http://www.productionpit.com