Wow everyone thanks for the great response!
So I was looking over the footage for some shots to post and I realized maybe the background isn’t totally unusable in a lot of these shots,, it just has a lot of shadows around the edges and seriously needs to be evened out from shot to shot. I think the perfectionist in me was just so dead set on having the background be exactly the same from shot to shot that I became fixated on keying out each and every clip. But I guess sometimes compromise is the best option,
Wieger de Leur – You’re right, with a 3d keyer like primatte, a pixel color can either be opaque, spill, semi trans, or trans. No amount of keying magic will make it so a pixel color is opaque in the foreground and trans in the BG.
Gary Hazen – Lol looks like you solved the mystery of the low budget music video. I think I really needed to accept that this wasn’t going to be a masterpiece and try working with the background. Adding a vignette around the edges should help with the nasty shadows and some color correction will be required to get the BG to even from shot to shot.
Michael Szalapski – agreed. If they don’t like an inconsistent BG we can talk about rotoscoping. But there is NO WAY I will do that for free, rotoscoping should NEVER be done for free. In fact as we speak I am questioning a “rotoscoping internship” in the no pay forum.
Dave LaRonde – Wow, you always have these great solutions, how do you do it? I made this really sweet bass responsive smoke/ribbon effect Trapcode Form that I want to put behind the girls, so there will still be some shots I’m going to insist on keying. Your idea sound like a great way to tackle the tougher shots w/o rotoscoping. I can’t wait to try it,, I’ll let you know how it goes.
I’m going to post some shots around 6/7ish if anyone want to see what I’ve done using their advice or just have a good laugh at some low budget dancers.