[Doug Metz]

Have a look at this page (Macworld):

https://www.macworld.com/article/3162242/macs/connecting-an-apple-led-cinema-display-to-a-usb-c-macbook-or-macbook-pro-here-are-the-adapters-you.html

Doug Metz

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[Doug Metz]

Relevant info here:
https://support.apple.com/en-us/HT207443

This would work (or one like it):
https://www.amazon.com/gp/product/B017TZTMBG/ref=oh_aui_detailpage_o04_s00?ie=UTF8&psc=1

EDIT – If you’re looking for more connectivity, a dock like this may be the right answer:
https://eshop.macsales.com/shop/docks/owc-thunderbolt-3-dock?_ga=2.113222340.1164392870.1525959290-203036983.1488985029

Doug Metz

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[Doug Metz]

[Jeremy Garchow] “A compound also works, but a secondary might be better as you can adjust without opening the compound, and you can achieve the same thing.”

I’ll second the secondary. Trim the two where they meet, select both, hit Command – G.

I’ll typically create a secondary with the full music track first. Then find a suitable beat, trim, and sometimes add a short crossfade if I need to.

If I’m working with watermarked music, then I’ll compound the full track, put that in a secondary, and cut the compound. If we like it, putting the licensed version in is as simple as replacing the track inside the compound.

Doug Metz

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[Doug Metz]

[Marco Feil] “You’re using the 360° version of the title. There should be another non-360 title.”

Ding! Ding! Ding! We have a winner!

Sheesh, how’d we miss that?

Doug Metz

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[Doug Metz]

Hey Greg,

FxFactory has a bunch of stuff like this (I use them myself):
https://fxfactory.com/finalcutpro/

…as well as MotionVFX:
https://www.motionvfx.com/store,plugins,3,60,1,1.html

Lots of other places to get custom title plugins, those are just the first two that come to mind.

Doug Metz

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[Doug Metz]

You’re working with a ‘copy’ of that plugin… try the non-copy from the browser and see if that changes things. I’m guessing if you open that ‘copy’ in Motion, you’ll find the culprit there.

Doug Metz

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[Doug Metz]

Hi Ray,

You’ve got a good plan there, and if it helps you conceptually, I can’t think of a good reason not to go that direction.

Alternatively, you could put everything in one Event, use Keywords to differentiate your individual songs and associated media, and create individual Projects for each song edit. Then build one more ‘master’ Project for the finished piece, where you’d copy/paste your selects from the individual songs.

Kind of a ‘6 of one, half-dozen of the other’ deal. Personally, I lean toward the latter to reduce the jumping back and forth between Events.

Let ‘er rip!

Doug Metz

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[Doug Metz]

Easy fix – select the project in the browser, and in the Inspector, select the Info tab. In the upper right corner, select ‘Modify Settings’. From there, you can change it from 29.97i to 29.97p

Doug Metz

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[Doug Metz]

Looks like an interlacing artifact, based on the spacing of the ‘wave’ and angle of the shot.

Doug Metz

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[Doug Metz]

I think Lisa wants to alter the default behavior of the audio handles themselves, instead of having to right-click and select the preferred curve.

Doug Metz

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