Don Greening
Forum Replies Created
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Your assumption is absolutely correct 🙂
– Don
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Go to the User Preferences in the FCP menu and check to see if “List Recent Clips” is still set up the way you had it previously. If not then change the number of recent clips to what you want and then try again.
If that doesn’t work you might try trashing FCP’s preference files and restarting the program.
– Don
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Goodness no. Just install the upgrade. The entire suite of Final Cut Studio 3 programs will be on the upgrade discs.
– Don
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Since you’ve offered absolutely no information about your hardware/software setup it will be very difficult to trouble shoot your issue(s). It’s like asking someone to figure out why your car won’t start but they’re not allowed to see it.
Since you state that FCP was working fine before and now it isn’t (and you haven’t changed anything) the only thing I can suggest is to trash FCP’s preference files. Sometimes they can become corrupted and cause FCP to act strangely. If you haven’t done this before you can download a free program that will do it for you. You can find it here:
https://www.digitalrebellion.com/pref_man.htm
Good Luck,
– Don
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Dominic,
You’re trying to use Sony’s Clip Browser to export EX clips into Final Cut Pro. That’s not What Clip Browser was designed for. You need to be using XDCAM Transfer Tool. If you don’t have it you can get it here:
https://support.sonybiz.ca/esupport/eSupportHome.asp
Look for: XDCAM Transfer for Final Cut Pro version 2.11
– Don
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Don Greening
February 4, 2010 at 11:38 pm in reply to: Upgrading to xdcam tansfer v2.11 will this affect my old projects in fcp 6?[Kirk Watson] ” I was wondering if in Preferences/edit/Priority in move, should I choose processing speed or data protection? “
Data protection
[Kirk Watson] “I work with a powermac and FCP 6 on Mac OS X v10.5.8. “
You state that you’ve just upgraded Clip Browser to v.2.6 but that you’re on a Power Mac. Clip Browser only works with Intel Macs, so what kind of Mac do you really have?
[Kirk Watson] “Would this (XDCAM Transfer) upgrade stop me from doing further work on the project.”
No, but to protect your earlier FCP project file do a “Save as” and save your project under a modified name. The database the software upgrade statement is referring to is the metadata that the program gathers about each XDCAM EX clip. Upgrading to the latest version will modify the database so it can be read by the newer version. If you wish you can make a backup copy of the old XDCAM Transfer database beforehand and then do the upgrade. If you still have all the original BPAV folders then all you have to do to recover your older database is to import all the BPAV folders again using the previous version of XDCAM Transfer. That’s if you decide not to manually backup your older database first before upgrading.
[Kirk Watson] “Would it affect the clips I have already imported into that project using my old version xdcam transfer (a very old version I think). And or affect me bringing in new clips etc.”
No, not at all. The newer version works the same as the older version. Once the clips are imported into FCP, XDCAM Transfer’s ability to affect FCP is over.
– Don
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[Lorraine McCarthy] “So would that mean If I have 1 mic input through mixer I can use CH1 setting for stereo, amd if I have more mics (which i want to mix in stereo) I should use CH1/CH2?”
No. Your camera essentially has 2 audio channels. It’s up to you how you utilize them. You can:
- Use them both as one stereo source using either a stereo mic plugged into both channels or:
- Two mono mics plugged into ch.1 and 2 or:
- One mono mic and set up the EX audio to record that one mono signal to both channels.
[Lorraine McCarthy] “I dont know why I havve to reset these levels if the tone from the mixer is 1kHz everytime??? Ive noticed this with different EX1 cameras and then sometimes its ok and I dont need to change anything. “
Have you tried the same setup with cameras other than EX cameras? if so are the levels constant or do they react the same as the EX cameras? Quite possibly the volume of that 1Khz tone is being changed or you’re using more mic feeds on some days than others. But normally if you’re using the same camera and mixer all the time and no one is playing with the levels in between sessions everything should remain the same.
– Don
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Hello Thomas,
Recently I was also of the opinion that the Tiffen T1 IR filter was also a necessity when shooting with either the new PMW-EX1R or the PMW-350(K) models. This is not the case. Sony has apparently been successful in dramatically reducing the IR contamination in their new EX cameras without affecting the widened colour gamut in the red spectrum which was so ground breaking when the EX cameras first appeared in the fall of 2007.
In the comparison pictures in the first article below you’ll notice that the Sachtler bag IR contamination is 95% gone in the EX1R shot and all gone in the 350K shot. And no T1 filter was used.
The Tiffen T1 IR filter cost is about $140.00 USD so I guess you could get one and see if the difference is worth it. But honestly? If I had an new EX1R I wouldn’t worry about it.
– Don
https://blog.abelcine.com/2009/10/29/tiffen-t1-ir-filter-and-the-ex-cameras/
https://provideocoalition.com/index.php/aadams/story/f35_ir_filter_shoot_out/
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Okay, good. At least we know why, now.
– Don
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Sure, but you can’t keep the clip un-wrapped and export back to the camera’s SxS Pro card. You can use Sony’s Clip Browser to re-wrap the clip back to .mp4 and then export the clip. Clip Browser will create a new BPAV folder and record it back to the camera.
– Don