Forum Replies Created

Page 14 of 39
  • Devin Crane

    October 28, 2010 at 6:54 pm in reply to: Final Cut Pro vs Media Composer vs Premiere

    Dennis,

    Do you work for Adobe? Do you edit with FCP?

  • Devin Crane

    October 26, 2010 at 1:32 am in reply to: IMX @648 vs. IMX @720

    Quick Time is compensating for the pixel aspect ratio, computers use square pixels while IMX NTSC uses round or oval pixels, thus QT is having to change the aspect so that it looks correct, otherwise it would look squished. Your video is still encoded at 720×486 even though it may not play at 720 on a computer screen.

  • Devin Crane

    October 20, 2010 at 8:33 pm in reply to: Issues with video quality from Apple Pro Res to IMX50

    We’ve used compressor many times over to compress from UC or Pro Res to IMX50 with zero issues. Sounds like either the frame rate is off or somehow the video is being re-sized.

  • Devin Crane

    August 19, 2010 at 8:24 pm in reply to: iMAC I7 Jumbo Frames Finaly Enabled

    Shoot, the mac mini specifically points out Jumbo Frames and the iMac does not. So what does that tell us.

  • Devin Crane

    July 26, 2010 at 3:08 pm in reply to: Multi Cam Question FCP 7 (input types, etc)

    Telestream’s Pipeline encoder will actually let you cut in FCP live, but at 10k per box (2 HD streams, or 4 SD) may not be worth it.

  • Devin Crane

    May 20, 2010 at 4:33 am in reply to: The future of FCP

    Gearing FCP for consumers or even for prosumers makes no sense whatsoever, they already have iMove. Why make another?

    Maybe all the buzz will light a hotter fire under their butts to get it out sooner.

  • Devin Crane

    May 12, 2010 at 1:47 pm in reply to: Apple Pro Res to DVD issues.

    The other day I sent a Pro Res SD project to Compressor and did a 2 pass encode, when imported into DVDSP the audio was longer than the Video. Went back and did a 1 pass encode and it worked fine. As far as interlacing problems I didn’t see any.

  • Devin Crane

    April 30, 2010 at 2:06 pm in reply to: Multi-camera live edit…?

    Scott,

    Thanks for the tutorial, but I work in both live and post productions and very familiar with how the process goes. Just answering Liam’s question, besides he never mentioned about needing to ad graphics land the such. As a capture device it is way more cost effective than an EVS system which in my opinion is way over priced and unless your using it for live replay then there are better solutions.

    Devin Crane

  • Devin Crane

    April 30, 2010 at 1:01 am in reply to: Multi-camera live edit…?

    10 grand to capture two HD channels at once. Whats the point of trying to switch a two camera show live? I doubt it would be possible to watch the footage come in, do replays, graphs, and mix on the fly with this box and FCP even if you could kludge it together, in a way that it resembled ‘live’, or ‘live to tape’.
    You could do a lot more show with a 10 grand budget and a truck. Even 5G’s would get you an ok show, with a small truck or a flypack switcher.
    Scott Sheriff

    Well I didn’t say it was practical for a single show, I was just answering the question, “Can you do a multicam live?”. You can hook several up together and cut live via FCP. To my understanding someone recently cut an Elton John concert with this setup. Checkout the demo on the Pipeline page.

  • Devin Crane

    April 29, 2010 at 9:32 pm in reply to: Multi-camera live edit…?

    Yes, you can capture live and edit in mulitcam live via Telestream’s Pipeline Encoder.

Page 14 of 39

We use anonymous cookies to give you the best experience we can.
Our Privacy policy | GDPR Policy