David Bogie
Forum Replies Created
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Ae is a terrible place to edit. do it in Premiere or FCP.
You can easily display your audio waveform in AE. The drums will be obvious. You can place markers on them.bogiesan
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Interesting technology but not very promising.
I’m trying to imagine how complex this is: analyzing the image to decide which pixels have been colorized and shifted and then attempting to reconstruct them by moving them and then uncoloring them. and, if the anaglyph is accurate, there is a proportional amount of shift that has to be corrected. Sheesh.
If you don’t have the original footage, it will be easier to reshoot it.
bogiesan
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I think there are a bunch of freebies from the likes of CV and DH that have excellent border options for wipes.
bogiesan
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USB is much slower than FW for some purposes but there are many different factors.
bogiesan
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Cool concept.
As long as you’ve done all of that rotoscoping, consider one or two additional masks to put some dimensionality on the arms and you need the composited person’s shadow.bogiesan
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[John Hill] “When I place on keyframe on some clips the keyframe does not fall where my playhead is. It falls between my playhead and the previous frame. On another clip in the same project it falls correctly. “
Only thing I can imagine causing this behavior is the timebase of your clip is different from the timebase of your project.
bogiesan
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> I found something that I think worked.< Excellent. This makes you a Motion Ninja. bogiesan
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The file size isn’t what concerns me, it’s your bandwidth–the time it will take you to move the files. In most non-commercial situations, using non-dedicated sub-T1 capacity lines, the consumer sends files up to a server at about 1/10th the speed your clients might be able to pull them down. If you’re working on a same-day turnaround deadline, you can’t afford that kind of bottleneck. You’ve got to find a way to get your clients connected directly to your machine or you to theirs.
bogiesan
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Without knowing something about your stills and how you intend to release the project, it’s only possible to makie a few basic suggestions. If you bring your stills in as image sequences (beyond the scope of this post) you can always change the duration of each image using time remap. But that involves a bunch of planning.
That’s what this kind of production is all about, basic and fundamental planning. How large are your stills?they should be no larger than absolutely necessary for your release format or you will bog down your system. here is an infinite number of threads here on the cow for working with still images in FCP, AE, Motion, and other applications. Even for a “music video” you must have purpose and you will want a visual climax of some kind, a reason, a reward, for your viewers. Developing and producing your story is beyond the scope fo this thread, too.
You will not want to try to edit 7k stills in a single sequence. You will want to break it down into manageable clumps. Imagine you are sending segments to a bunch of creative editors who are all working independently of each other.You want to work in a future-proof format so you can release in any format someone might request but you still must work within the abilities of your system.
bogiesan
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Power to the correct people.
bogiesan