Dave Messinger
Forum Replies Created
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Never mind on the duplicate menu. Just had to use the Edit dropdown menu instead of the CTRL+Copy / Ctrl Paste keys.
Dave Messinger
https://VideoByDave.com -
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As an update, to upgrade to Premier Pro-CS5.5 for $239 + tax (I think maybe only through 12-31 (today)) , you have to have your sn for either Premier v4, v5 or v6, or Premier Pro 1 or 2, or PP-CS2 or PP-CS3 – and it has to be the individual product and not the production suite.
And Premier Pro CS5.5 includes Encore, On Location, Media Encoder.
Seems like a pretty good deal.
Dave Messinger
https://VideoByDave.com -
Been a bit of time since original post, but now have a 64 bit OS machine and year end decision time is here.
I talked to Adobe on line help – they say that CS3 Production Premium Suite can not be used to upgrade to Premier CS5.5 standalone.
I am wondering if anyone has been able to do this ?
Dave Messinger
https://VideoByDave.com -
D Erik – re: Create a DVD-Video disc with a separate folder that contains your other renders.
What have you found to be the easiest way to do this ?
Dave Messinger
https://VideoByDave.com -
Quick question. I was wondering when someone buys one of these tutorials, do they have the right to sell them later, say that for whatever reason they didn’t find the tutorials useful or that they no longer feel they need the keep the tutorials in their library ? Or does the licensing from the tutorials prohibit that ?
Dave Messinger
https://VideoByDave.com -
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No – I have line level switches on my camera which I always switch to before complaining about the sound. There’s a big differeence between line and mic. I think generally they just have the gain turned up to high. I can usually hear it in the house speakers too – just starts to fuzz with the louder tones. But anyway – thanks for help.
Dave Messinger
https://vfwTech.com -
Thanks.
Out of curiosity – IYO, is the 442 worth 4x the price of the Premix ?
Regarding the Premix, – the thing I am really trying to prevent is hot feeds that I seem to get from mixers at various events I shoot at. Not always – but more than once is one time too many for me. I go to an event (usually at a hotel where I don’t think their AV guys really know their audio mixers that well), I get a feed and for some reason it is just hot – somewhat fuzzy – just not clean, and turning down my meters still doesn’t get rid of that fuzz. And it seems like it is always that situation where I am not at the mixer but half a room away wondering why I am getting this “not as clean as it should be” audio – and the audio guy is no where around or we can’t do sound checks cause event is ready to go – and I have to live with it.
I know there is no excuse for up front setup etc. etc. – but I am trying to cover those times when the situation is what it is and to best limit that hot audio feed.
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“If you want 4 inputs step up to the Sound Devices 442. It’s a few exponents ahead of the ENG-44.”
Thanks Ty for that advise – and if unlimited funds were no problem – perhaps I would – $2500 vs $650….
However – money is an issue and that’s why I was asking about the Premix vs the ENG-44. I was wondering how the “unclippable” feature of the Premix compared to the “compressor/limiter” of the ENG-44.
My guess would be that they are very similar features – but not having either, I was hoping for some comments along those lines – like the Permix blows away the ENG-44, or both work similiarly, etc.
Dave Messinger
https://vfwTech.com