Dave Martin
Forum Replies Created
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How about the AVID dnx codec which Apple wrote ProRes to compete with?
Dave Martin
– MacPro – MacBook Pro –
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Oh my Gosh…my apologies to Shane! My thanks to Shane and Jeremy!!!
Problem solved!
Perfect import…thanks so much guys!Sorry I was so pig headed at first! 😎
Dave Martin
– MacPro – MacBook Pro –
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Ahhhh…thanks for that!
It’s 30P over 60 (59.94). Still won’t import though.
My work around is to import through 5.1 and then bring those files into 6.02. But I’d love to figure out the reason why it just goes IDLE…
Thanks Jeremy….
Dave Martin
– MacPro – MacBook Pro –
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Hi Jeremy
Sorry…what is the difference between 30PN or 30p over 60?
I’ve definitely tried reimporting several times.
Dave Martin
– MacPro – MacBook Pro –
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Thanks for Replying Shane
That’s not the issue, however, I found out that deleting anything in the field can be dangerous! 😎
FCP is trying the import but after the little ball spins for a while…it just says “IDLE”. Import is perfect in 5.1 though.
BTW-thanks for all your work on the FXfactory issue…saved me A LOT of frusteration!
Dave Martin
– MacPro – MacBook Pro –
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Let me read the thread again…thanks Jeremy!
Dave Martin
– MacPro – MacBook Pro –
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Thanks Jeremy
I’m sorry…I didn’t realize the HVX had component out? (First time I’ve used it).
If I didn’t have an awesome monitor like you 😎 but I did have fcp and an IO….could you suggest a good workflow for a simple green screen shoot?
Thanks so much…
Dave Martin
– MacPro – MacBook Pro –
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I hope this isn’t a dumb question but…is it possible to monitor composite out of the HVX 200 into Final Cut (with an IO HD)and use the waveform/vector in there?
Advisable on a green screen shoot?
Dave Martin
– MacPro – MacBook Pro –
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If you really need the dnx to be in ProRes…my system outlined above really does work well…not TOO painful! 😎
Dave Martin
– MacPro – MacBook Pro –
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the avid codecs are in library/quicktime folder…pull them out when you want to use the IO HD…
Dave Martin
– MacPro – MacBook Pro –