Dan Powers
Forum Replies Created
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Press SHIFT & 0 (zero) Two times and it will come back on. Think of it as a temporary bug reset button.
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I am just going to add to this by saying we need this time remap of PPro to more closely match what is in After Effects.
After Effects time mapping and keyframing is superior. It makes no sense to have two completely different time mapping methodologies in two applications made by the same company and two apps that are supposed to work hand in hand.Now, Andy, did you notice that there are drag handles on the keyframes? They define the crude time ramping region when dragging them left and right.
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This motorized desk base with a custom made surface.
https://www.amazon.com/ApexDesk-Electric-Adjustable-Standing-American/dp/B00WL75G3G/ref=pd_sbs_229_6?_encoding=UTF8&psc=1&refRID=EK4BZFRCC3WVGSWCYZS6
Holding 3 31″ monitors
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I dont have that particular box, but I had an older focus right product and it worked well.
Using it for the Voice Over feature introduces some lag so you may hear a delay through headphones.
Currently an issue I am dealing with as well. Black Magic Design products have a HORRIBLE audio delay while recording so dont use that device to connect a microphone. -
Thanks for that reply. I will look at applying RGB Effect first, however I hope it uses the same accelerated processing as Lumetri.
Pedestal would be a great means of adjusting black levels in Lumetri if the would add it. Its for when you dont want to alter the structure of the entire color you have applied. Pedestal just lowers the level of the clip globally without squashing or stretching certain regions. It would really be helpfull in getting the attached black level a bit lower without darkening more of the scene. Notice that the lowest black is at about 2-3% and nothing is touching black 0.
Gamma is a stretch value that can compress or extend the midrange of an R, G, B, or Luminance channel of a image.
Its a slider or knob value that I really miss having assigned to my control surface.I notice there isn’t a Lumetri forum. Moderator, is this something we could add?
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Just say Yes! It creates more work for editors!
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Pretty much what I am doing next except I am getting a Saphire audio interface with a line XLR input since we also have a pro sound booth with tube mic preamp and such that I need to record. So basically going to use Black Magic for only Audio output and not for input.
Black Magic HERE ——————————————————The boat HERE. Yeah, they missed it.
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There are many variables in reasons to choose your sequence settings. How was the footage shot? What frame rate? Was it shot progressive? Frame Rate 23.976?
When shooting Progressive 23.976fps and mastering for broadcast you will need to have your sequence settings at 23.976 progressive. Then when exporting, you would then set the export for 29.97 interlaced Upper first for broadcast spec.
As a general rule, you will have a better edit if your sequence setting matches the majority of your source footage.If your footage was shot at 29.97 progressive, then there is no need to do interlaced at all. All broadcast outlets are taking 29.97 progressive 1080 unless their spec if for something like 59.94 or other unusual needs.
IF IT IS FOR WEB ONLY, NEVER USE INTERLACED FOR ANY ASPECT OF YOUR POST.
Have a great day!
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What frame rate is your sequence? You MAY have the export set to Match Sequence settings.
Also when you do figure it out, you will need upper field first. -
I feel your pain over a year later. I picked up some higher power readers and moved the screens a bit closer. Still waiting for the solution. At my home studio I had a 48″ 4K Monitor and it was perfect, but at my office studio, the LG31″ 4K monitors are fantastically sharp and accurate, but the fonts are painfully small.
