Daniel Waldron
Forum Replies Created
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Premiere will export based on your sequence settings unless you tell it otherwise. If you need your video to have an odd resolution for some reason, change the sequence settings. What is the end product supposed to be? You could run into playback issues if you make an unusual frame size. I would scale or stretch the video so it fills the frame.
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To quickly see the length of a clip in Premiere, move the scrubber over the clip and press the “f” key on your keyboard. This will put the clip in your preview window with in and out points set. The counter on the lower right of the preview window will be the length of the clip.
EDIT: I actually just checked and you can hover your mouse of the clip in your timeline and it will give you the duration as well.
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I believe FX Factory has some animated title plugins that should work in Premiere.
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There are no special “filters” to do this. These are professionally shot and color graded videos. I recommend exploring the color correction tools in Premiere and even watching some tutorials on SpeedGrade to learn how to achieve these looks. Unless you have great footage, though, you are already starting behind.
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They’re completely different cameras, so unfortunately they are probably going to look different no matter what you do. Obviously, color correct to match the shots as close as possible. Here’s a Creative Cow tutorial that addresses this issue.
You can look into the Remove Grain effect in After Effects or Neat Video’s noise removal plugin for Premiere to help the your low light footage.
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That’s an awesome video.
Everything I saw looked like it could be done with some scaling, time-remapping, maybe some motion blur, and good old-fashioned editing. The stellar camera work also helps. I suggest downloading the clip and moving through the transitions frame by frame to see what’s happening.
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You can change the settings in Media Encoder or right in After Effects in the Render Queue. Click on the yellow text to see the options. It defaults to your composition’s framerate, so check that your composition settings are accurate as well.
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If you shot on a 5d Mark III, all your shots will be progressive, so interlacing won’t be an issue. Perhaps what you mean is will the difference in framerate be in issue. Depending on what you shot, there is a good chance it could cause some jumpiness or sync issues. I would re-export the clips. Nothing good can come from using the wrong framerate.
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If you highlight the layers you want to adjust and press the “a” key, it will show the numeric value of your anchor point for each layer selected. As long as you highlighted all the layers, adjusting one will adjust them all by the same amount. You can position it more precisely this way too.
Not sure why your pan behind tool is acting finicky…
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Someone else posted this helpful article recently:
https://kb2.adobe.com/community/publishing/908/cpsid_90843.html
