Daniel Schmidt
Forum Replies Created
-
The problem is that everybody will see it like it appears in QuickTime X. In a large part because video on Vimeo looks exactly like it does in QuickTime X. It may be that QuickTime X sucks, but since that is what people watch the footage with, I will need to match it in grading.
-
Looks a little cheap to me. I think I’ll go with the Luca footage. I am currently convincing the production company to get that.
-
Allright, I believe you. I will check out the keyable footage. Thanks!
-
Thank you for the links. I think I would prefer a plugin solution for my workflow though. But I will give these clips a look!
-
I was torn over where to post it. But since I would prefer to apply such an effect in FCP, I decided to ask here.
-
Unfortunately, none of this seems to help.
Am I really the only one who outputs to QuickTime and/or Vimeo and who does not get matching colors?
-
First of all, I should maybe mention that my ProRes MASTER looks exactly like the final h.264 distribution, which looks exactly the same way in Vimeo and QuickTime X. The only thing that looks different is After Effects.
Regarding your suggestion: Checking the legacy setting has ABSOLUTELY no visible effect.
-
I am aware of the article you linked but it seems to only describe two specific bugs. One related to ProRes 4444, which I don’t even use, and one related to the combination of ProRes 422 and certain capture cards, which I don’t own and which is different from my problem.
-
I actually need the black and white mask/matte for what I want to do next. But I guess that exporting workaround should work. I thought, there would be a more elegant solution though. Thanks!
-
I guess, but that would not give me the desired result. I want a mask of the area I defined with the roto brush. Meaning, if I were to key out an arm for example, the area of the arm is full white, the rest is full black. Applying the Colorama effect would take the luminance levels of the footage (the arm) into account, which is not what I want.
I guess, I am just used to being able to have access to masks/mattes from Photoshop. Whereas the AE roto brush seems to “hide” the mask/matte it creates.