Forum Replies Created
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Okay, but I want to do a quick musical flashy showreel for commercial use. It shouldn’t last more than one and a half minutes. I want to use it as a quick way to showcase my skills and versatility, without having to bore potential clients with text upon text, which will probably deter them from watching the whole thing.
I think I’ll just cut together a nice fast paced and flashy showreel showing some before/after bits of stuff I’ve graded and just put “Colorist” in the bottom left corner or “Editor”, depending on my roll…
Thanks for the input, though! -
Yeah, but some of the stuff I’ve edited I have also graded, so it’s hard to keep it separate…
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Thanks a bunch, I’ll give it a whirl.
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Yes, that’s an option.
But I could just take the uncompressed QuickTime file exported from Premiere Pro on my PC and run it through MPEG Streamclip for example on a mac to export a ProRes file.
Which was my initial question…
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You can’t render or export to ProRes on a PC running Windows.
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No, it was recorded on an Alexa and we edited the footage natively in Premiere Pro. I’ve even tried copying the entire project and all of the media onto a new RAID, with the same result. I even tried creating a completely new project and bringing in the sequences from the old project, but it still results in dropped frames. I’ve tried flattening the PSD’s as well with the same result.
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Install Desktop Video:
https://www.blackmagicdesign.com/support/detail?sid=3945&pid=4041&leg=false&os=win -
For anyone joining in: I am on a PC on Windows 8.
I couldn’t really figure out what to do with the DPX files after rendering from Resolve, so I rendered to DNxHD 185 10 bits and got the files back into Premiere.
It has been close to impossible to export smooth playing H.264 QuickTime files from the imported timeline in Premiere Pro. They just don’t play back well. I used a preset I always use for export. H.264 1080p 25fps 10mb/s datarate.
I then tried rendering from Resolve to Uncompressed Quicktime RGB 10 bits instead, but they won’t play back at all and I can’t import them back into Premiere Pro. It seems that there is a missing codec or something?
It should be pretty straight-forward, but man… I am wishing I bought a Mac instead…
ARRI Alexa footage -> Premiere Pro -> Resolve 9 -> Premiere Pro -> Output
Can anyone come up with a solution? Or a workflow they know works for sure?
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Daniel Neutzsky-wulff
March 10, 2013 at 7:44 pm in reply to: Apple ProRes 422 won’t import into Premiere Pro CS6I suspected the same. They probably used Log & Transfer to transcode the footage on import, since I found all of the footage in the Capture Scratch folder in the project.
The project was originally cut on Final Cut Pro on Mac and the editor backed out and I was handed over a half finished documentary. It was a god awful mess to begin with. I managed to clean up the project and export an XML, but I’ve had a lot of problems getting it into Premiere Pro CS6 on my PC.
I tried doing the same on a Mac and the project imported without the same issues. I don’t really know where to go from here since I can’t edit the documentary on the Mac. I just tried it out on a friends Mac.
Am I missing some sort of codec?