[Cybele Sunday]

thanks – and sorry about using SOP….
Would you start with the Line Cut and then switch cameras as needed…
thanks

[Cybele Sunday]

Thanks Bob
This was helpful.. I did end up asking the Maint. guy about it and he kind of showed me how to make it work.
Also, about the scopes. And your input was very illuminating as well.
THANKS

[Cybele Sunday]

Thank you so much. This is very helpful. I got really confused but life is for learning, right?
One more question, about the Audio follow through….

Does this switch with the video? In the case of last night it was hard to find the best audio…
is there any rule of thumb, does the camera angle have anything to do with that,
would all 3 Cams have the same audio on Ch 1&2? I know this is maybe a “dumb” question.

work is the curse of the drinking class.

o wilde

[Cybele Sunday]

Thank you. That does make sense!

Cybele

work is the curse of the drinking class.

o wilde

[Cybele Sunday]

Yes, no it was very interesting and I will buy the book you mentioned. I was a little confused. I thought it had something to do with outputting at HD or something so I appreciate it. I will look into it more. Cheers,

work is the curse of the drinking class.

o wilde

[Cybele Sunday]

Would you recommend exporting it RGB or 601 for video levels?

work is the curse of the drinking class.

o wilde

[Cybele Sunday]

Thank you. I will try it in iDVD.

Best

work is the curse of the drinking class.

o wilde

[Cybele Sunday]

Thanks. I have iDVD….
What kind of file would work best for that?
Uncompressed Quicktime?

Any other input on export settings from Avid, etc?

What makes it better?
I do not care about Menu’s etc for this.

Thanks.

work is the curse of the drinking class.

o wilde

[Cybele Sunday]

Great. thank so much. I will try to this week with a couple of shots as a tester. Cheers!

Cybele

[Cybele Sunday]

Hello,
I am an AVID editor working on an Adrenaline system on mainly news shows.

I have my audio reference level set to -20.
My levels usually peak between -20 and -14.

I output to a Sony 1800 BetaSP deck.

A producer I work with wants to know what level to look
for (good levels) to spot check the tapes the Editors lay off.

I do not know exactly what number to tell her to look for.

I know if digital is set to -20 it should be set to 0 Analog.

What looks like great audio on the Avid, peaking at around -14, looks low when playing back on
these Sony 1800 decks.

I am now confused as to how to explain why.

work is the curse of the drinking class.

o wilde