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Craig Howard
June 20, 2005 at 9:19 pm in reply to: Timecode issue. I want to load in Avid and edit in premiere.

Your source files as already captured should contain the original timecode. Easy enough to check that 1st.

It should be no problem to take those files into another system and the timecode will be retained.

Your problem might be getting the logging info from one system to the next. I do not think a batch capture log will cross platforms across applications but I might be wrong and a CSV file may help.

I have found EDL import in Premiere to work fine but others have had problems with drop frame and non drop frame. ( I work in PAL so no issues for me)

Swapping platforms regularly might cause problems (I would suggest)

Craig
Shooter Film Company
Auckland
New Zealand

(Premiere Pro 1.5 / Matrox TRX100 XTreme Pro)
Craig Howard
June 19, 2005 at 11:09 pm in reply to: Can the color of the transition paint splatter be changed from black.

Change the border width in the options may help.

Craig
Shooter Film Company
Auckland
New Zealand

(Premiere Pro 1.5 / Matrox TRX100 XTreme Pro)
Craig Howard
June 14, 2005 at 9:10 pm in reply to: OY! – “Project appears to be damaged, it cannot be opened” Help Me OB WAN, you’re my only hope!!!

You do not have to run “AUTO SAVE” and it can be a problem.

Get in the ‘CTRL-S” habit and hit it often. Also use “SAVE COPY” and write over it regulary

Sorry but it is unlikely that you will ever open the corrupt Project – been there but I did follow my own advice above and was able to open the Copy (lost about 1/2 days work though)

Craig
Shooter Film Company
Auckland
New Zealand

(Premiere Pro 1.5 / Matrox TRX100 XTreme Pro)
Craig Howard
June 12, 2005 at 8:50 pm in reply to: Open clip in Source Monitor keyboard command

I do not believe there is such a short cut available.

Double click with the mouse will do it tho’

Craig
Shooter Film Company
Auckland
New Zealand

(Premiere Pro 1.5 / Matrox TRX100 XTreme Pro)
Craig Howard
June 12, 2005 at 2:53 am in reply to: Workflow question: Multiple editors, how?

Fundamentally it just can not work.

What would 2 editors working on the same project independently achieve ?

Solution:

Split the editing tasks or give them two chairs at the same machine….

Tasks that split could be story editing, graphics, track laying, comping, color grading, FX/transitions

It is easy enought to import in components and sequences.
Craig Howard
June 8, 2005 at 3:29 am in reply to: Fluro lights flicker

The flicker wont only be seen on the light sources (the tubes)…it will also be seen on what ever they are illuminating (usually)

Craig
Shooter Film Company
Auckland
New Zealand

(Premiere Pro 1.5 / Matrox TRX100 XTreme Pro)
Craig Howard
June 7, 2005 at 3:51 am in reply to: Fluro lights flicker

I doubt you can fix it because the “flicker” is usually accompanied by a phase effect that dims and brightens the output of the fluro over a short time.ie ..its not actually an on/off flicker but more lke a sine wave.

Craig
Shooter Film Company
Auckland
New Zealand

(Premiere Pro 1.5 / Matrox TRX100 XTreme Pro)
Craig Howard
June 7, 2005 at 12:53 am in reply to: Sennheiser Wireless Mic Issues

I am not familiar with that camera but…you may have phantom power turned on for the XLR channel. Turn it off.

Craig
Shooter Film Company
Auckland
New Zealand

(Premiere Pro 1.5 / Matrox TRX100 XTreme Pro)
Craig Howard
June 6, 2005 at 4:49 am in reply to: un-nesting clips in timeline

BTW – this has nothing to do with “nesting”.
Craig Howard
June 6, 2005 at 4:48 am in reply to: un-nesting clips in timeline

Short Cut Key “-” or “+”

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