Chris Wright
1
Audio Coin
1
COW Coin
Forum Replies Created
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you can manipulate the input layer that colorama uses with levels-individual controls, saturation, shift etc., as a workaround.
https://technicolorsoftware.hostzi.com/
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the prefix isn’t a command, it’s a variable
from this…
prefix = “”;it’s saying, if(dollarSign) …or if dollarSign = true, then prefix +=”$” add a dollar sign to the variable prefix “” that’s now prefix = “$”. I already made the code append a “m” to the end of your numbers.
see, down at the bottom there’s prefix + s. it’s basically $+ number
now if you want to code your own append suffix, you would go like…at the top
meterSign = true;
suffix = “”if(meterSign) suffix += “m”;
outStr + decimals + suffix;
}else{
prefix + s+ suffix;https://technicolorsoftware.hostzi.com/
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do the beams work in 3D? looks to me like the effect is a spotlight with a 2D glow.
https://technicolorsoftware.hostzi.com/
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once you have all your pieces linked up, offset transformed with rotated nulls or however you’re doing it, take the bottom most piece and apply this kinetic expression to the position. it will make them respond realistically to inertia.
// Inertial Bounce (moves settle into place after bouncing around a little)
n = 0;
if (numKeys > 0){
n = nearestKey(time).index;
if (key(n).time > time){
n–;
}
}
if (n == 0){
t = 0;
}else{
t = time – key(n).time;
}if (n > 0){
v = velocityAtTime(key(n).time – thisComp.frameDuration/10);
amp = .05;
freq = 4.0;
decay = 2.0;
value + v*amp*Math.sin(freq*t*2*Math.PI)/Math.exp(decay*t);
}else{
value;
}https://technicolorsoftware.hostzi.com/
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“if you simply change the framerates of all of your compositions.”
i think it’s faster to simply take the final output comp and place it in a 23.976 comp with timestretch at 100.001001. This will fix the framerate and at the same time, the audio speed sync.
https://technicolorsoftware.hostzi.com/
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this only takes 1 sec to update so it might work. render out the bars and graphs then using videocopilot’s timeremapping expression, you get animated graphs without render time.
https://www.videocopilot.net/blog/2009/12/new-tutorial-dynamic-bar-graphs/https://technicolorsoftware.hostzi.com/
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if you have premiere, click file-new-bars and tone. It’s important to note that premiere creates 75% SMPTE bars which is 191.25 RGB. But AE creates full 100% RGB at 255. Why the difference? Premiere was made default for NTSC standards and AE’s missing footage is well, it doesn’t know what you’re doing, could be a animation not made for TV. Keep that in mind when you make your graphics, bars, and tones.
https://technicolorsoftware.hostzi.com/
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“two squares move outside the frame”
I think you have it backwards.
the squares stay in the image, the dot goes outside the image. and btw, any tracking data still works for applying data even if the data is outside the comp. and I know those tutorials will help you.https://technicolorsoftware.hostzi.com/
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what should happen is that the small crosshair/dot should stay there and the 2 search squares should move independently from it. it’s called offset tracking. does that look like what you have? the cow has many tutorials about tracking. especially watch the ones with offset tracking.
https://library.creativecow.net/tutorials/adobeaftereffects/tracking
https://technicolorsoftware.hostzi.com/
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before the trackable object leaves frame, hold Alt+drag the tracker to a new trackable point.
https://technicolorsoftware.hostzi.com/