Chris Wright
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Audio Coin
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COW Coin
Forum Replies Created
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” Lenses are supposed to produce a sharper/better image when stopped down from their widest aperture”
Actually it’s the exact opposite. you never want to go f/22 because you’ll lose a huge amount of detail due to the diffraction limit.
In any case, a neutral density filter with a polerizer will enable both a large aperture and high dyanamic range by cutting the glare out and disabling diffraction.
The ISO will add grain so don’t crank it over 800.
If you’re shooting a low fps, the shutter becomes the highest priority. usually double the framerate.
Just as in professional filmmaking, the control over light is what makes you either a professional or an ameteur.
if you’re interested in getting a lot of things in focus, go for the hyperfocal distance
instead of the smallest aperture your camera supports. This will teach you to be a better photographer.here’s more.
https://www.cambridgeincolour.com/tutorials/diffraction-photography.htmhttps://technicolorsoftware.hostzi.com/
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use ae’s smart import script then take a little snippet here and there from aenhancers.com. Paul will probably be there. Post in the help with script forum and use the really nice search function. You should be up and running in about an hour if you have basic java or c++ experience.
https://technicolorsoftware.hostzi.com/
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utility-color profile converter
https://livedocs.adobe.com/en_US/AfterEffects/8.0/help.html?content=N10112.html
https://technicolorsoftware.hostzi.com/
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Here’s a quick project file I made. You can turn it into an animation preset or just replace your video with it. It is two cc simple wire removals set in crosshair formation so that they only change a single pixel or two. Simply drag the Null to the center of the bad pixel and you’re done!
ae cs3
https://www.megaupload.com/?d=6BX5CDPNalso, you can use AE’s tracker with it or even paste the tracker data into clone stamp’s position for some sophisticated repair work. Mocha can do planar tracking too.
https://library.creativecow.net/articles/larsen_carl/simple25d_rig_removal.phphttps://technicolorsoftware.hostzi.com/
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some people like to keep it simple and put a 50i(25interlaced) video into an after effects 50 fps comp so that each field becomes a frame. Others like to deinterlace with plugins or hardware boxes then retime with optical plugins.
from fieldskit manual pdf
for fieldskit timing mode:
2x FPS,1 Frame Per Field, place in double framerate comp, interpret fields off in AE.https://technicolorsoftware.hostzi.com/
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some people like to keep it simple and put a 50i(25interlaced) video into an after effects 50 fps comp so that each field becomes a frame. Others like to deinterlace with plugins or hardware boxes then retime with optical plugins.
from fieldskit manual pdf
for fieldskit timing mode:
2x FPS,1 Frame Per Field, place in double framerate comp, interpret fields off in AE.https://technicolorsoftware.hostzi.com/
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footage could be solved by the foundry’s 3d tracker then use zaxwerks 3d invigorator all without leaving AE!
https://technicolorsoftware.hostzi.com/
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might be moiring. It’s weird, alternating the white and black. I think you’d have to fix it by using tinderbox’s deflicker and tweaking the heck out of it. Also, your exposure was on automatic.
https://technicolorsoftware.hostzi.com/
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use the matte layer with inverted alpha to remove artifacting and isolate multiple passes. plus use vectors 100%, smoothing 28. filter extreme. you can try RSMB as a trial and see if you like it better. nothings perfect, after all:)
https://technicolorsoftware.hostzi.com/
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Kronos uses layers for planar vectors. You add kronos/timewarp to a alpha moving layer(a precomped white solid from a 3D program) that is representive of the movement of the individual object. You add timewarp to the alpha layer and change warp layer to your final colored/textured model. It’s kinda funky, but hey, what isn’t?
https://technicolorsoftware.hostzi.com/