Chris Wright
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Audio Coin
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COW Coin
Forum Replies Created
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off the top of my head… if view-simulate was turned on to rec709, it wouldn’t matter what color management you set AE to, it would look the same.
you can actually test this by using utility color profile converter. it bypasses color management altogether.
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i smash the zoom in button + or zoom slider and right click ripple delete. is there a faster way? maybe. but its superfast for me.
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the real question is, what is your budget?
most professional software is very expensive. There’s very few free automatic solutions out there such as https://spotremoverfilter.com/ and https://www.infognition.com/dirtcleaner/
here’s a small list of professional solutions that won’t make you bang your head
against the wall except maybe for your wallet.https://www.blackmagicdesign.com/products/davincirevival/software
https://www.thepixelfarm.co.uk/pfclean/
https://www.hs-art.com/index.php/solutions/diamant-film
https://www.digitalvision.tv/products/phoenix_film_restoration/
https://www.mtifilm.com/drs-nova-overview/
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copy path or position keyframes? I’m not sure what you mean.
if you need random motion, you could add wiggle() to the rotation or else use math expressions to have an object rotationally point towards another keyframed object like in my template example
https://f1.creativecow.net/6830/6830
or perhaps this orientation
https://forums.creativecow.net/thread/227/29360#29361You might want to post in the AE expressions forum as well
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dvd-r is used by all. dvd+r came later and really old dvd players can’t read it.
also, make sure your bitrate isn’t too high. higher than 9mpbs and some players crash. -
if you temporarily turned on working space and set it to srgb and
set your view-simulate to your wide gamut monitor’s color profile, it should look fine.unfortunately, adobe has programmed all cc 2015 dynamic links to be set automatically rec709. don’t ask me why.
since your monitor is not rec709, 99% of software won’t be seen right unless you either…
1. view simulate to your monitor’s color
2. calibrate monitor to rec709
3. use a special 10 bit 3DLUT that converts rec.709 to adobe 1998 or wide gamma then you won’t even need to convert any more profiles with lut buddy.
https://dispcalgui.hoech.net/#about
https://www.brizsoft.com/lut-converter/ -
did you precomp the AE comp before applying the effect? what is your project working space? what is view-simulate -set to?
if you have your working space turned off, your input profile should be srgb and your output rec709(or whatever your monitor profile is). yours is set to working space.you can batch convert color profiles in photoshop, no AE needed!
https://help.adobe.com/en_US/creativesuite/cs/using/WSBB0A8512-8151-408c-9F79-4A9E9E3BA84C.html#WS9ACC09CB-F8EB-40bf-AC0E-AA38EA30991Dhttps://helpx.adobe.com/photoshop/using/processing-batch-files.html
vlc isn’t color managed. if you can re-import the render or file back into AE or photoshop and interpret it correctly, it should look fine.
for a video player, windows media player home classic(very similar to vlc) supports basic color management. it also depends if your monitor is color managed.
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burn in the correct color management with AE’s utility color profile converter. render it out or dynamic link
like how the post says precompose and then premiere will have no choice but to read it correctly.may i also humbly recommend my free timelapse flicker removal for AE template
https://f1.creativecow.net/6154/auto-white-balance-cs3-and-up