That is good to know. I’m going to be editing a show this Summer, shot on HDV, and edited in the DVCPRO HD codec (in FCP 5). I was looking for a forum here, after spending much time over at the always entertaining HDV forum, about DVCPRO HD work-flows. It looks like both the Varicam and P2 forums are a composite of this need.
The article on DVCPRO HD workflow over at kenstone.net has been helpful as well.
What has been your experience of an HDV clip that has been rendered in a DVCPRO HD timeline? Say with a CC filter on it. Many artifacts?
-Christopher