Christina Rule
Forum Replies Created
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Christina Rule
January 23, 2015 at 1:41 am in reply to: Dynamic Link in AE to premiere pro not working greyed outSorry duh. They’re both cc and I tried to uninstall and reinstall and still no luck
we are running windows 7
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Christina Rule
January 22, 2015 at 7:53 pm in reply to: Dynamic Link in premiere pro greyed out ( replace with after effects comp)Hey Steve,
I tired that today and still no luck…. so weird. Is there anyway to troubleshoot anything else? -
Christina Rule
March 5, 2013 at 12:12 am in reply to: popping & distortion with my audio in Final cut but not in Quick Time…Never-mind, I realized I wasn’t exporting at the correct sample size. Once I changed this all sounded fine on the final export. Thank you all for all of your time and suggestions!
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Christina Rule
March 4, 2013 at 11:53 pm in reply to: popping & distortion with my audio in Final cut but not in Quick Time…Thank you! That did the trick in regards to playback inside of FCP. However I’m still noticing when I export it the audio is really fuzzy… any ideas?
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Christina Rule
August 30, 2012 at 12:03 am in reply to: FCP Rendering Out Something different than what I’ve placed my in and outs aroundHey,
yes I have tried this. It’s so weird. I don;t understand why this is even happening. I tried exporting just the audio and that exports fine but if I render out just the video it only renders out the first 17 sec. The clip is 6 mins long. -
I ran into this issue before… My client sent me just the .mts files with no folder structure so I was unable to do the log and transfer in final cut.
I find that HandBrake https://handbrake.fr/
is the best for conversion. 1. It’s free and 2. It works fast and holds good quality. Hope this helps! -
Christina Rule
August 4, 2012 at 4:40 am in reply to: Tips for color correcting a pale skinned blonde hair female on greenscreenCan you recommend anything for the flickering or the footage after you key it. When I key it it looks nice but when I preview it its got a lot of noise and flickers a lot. I notice sometimes when I change the “Replace colour” to “soft color” it helps a litte…
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Christina Rule
August 3, 2012 at 11:41 pm in reply to: Tips for color correcting a pale skinned blonde hair female on greenscreenWOW!!! I can NOT believe how well the “‘remove grain’ (on the blue channel) worked! Thank you so much!!!!!!! I’d image this will increase my render time drastically hahah!
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Christina Rule
August 3, 2012 at 6:54 pm in reply to: Tips for color correcting a pale skinned blonde hair female on greenscreenAWesome! I’ve never messed to much with the “Despill Bias” setting so i’m definitely going to try this out.
Thank you so much! I’ll let you know how it goes.
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Christina Rule
August 3, 2012 at 6:52 pm in reply to: Tips for color correcting a pale skinned blonde hair female on greenscreen@Keith: thank you so much! I’m sorry I was away from the forums for a few days I was wrapping up another big project. I’ve always told AE not to interpolate my interpret footage as well. I guess it just slipped my mind this go around, so thanks for the reminder.
I’ve always used the “Final Result” view when keying. How does the intermediate view differ? When you say you “leave it unpremultiplied. ” do you mean you leave the box checked or unchecked? I’m curious about the advantages of this since i’ve never tried it.
I’m going to try and follow your recommendations for using a lot of pre comps I think this will definitely help out a lot. I have a few questions and just want to clarify somethigns first.
1. My first comp “PreTreat Comp” I’m going to pre-treat the footage for better contrast and better greens, trying to remove some green from the foreground footage and grain from the footage.
2. Second Comp “Core Matte” – When you say pull a Hard Core Matte do you mean just of the blonde of of the entire scene? Would I use keylight for this and if the objective to keyout most of the background green and not to worry about the subject?
3. Edge Matte- This is where I pull a softer key for the edges. In the edgeMatte comp, refine it for most of the edges and try to get a good edge around the hair if possible.
4. Place the “edgeMatte”, “coreMatte” into a comp and name this comp “alphaMatte”.
5. “key Comp” Take the “alphaMatte” comp and the original footage into the comp. Use the alphaMatte comp as an alpha track matte for the original footage. Apply spill suppression, color correct, any transformations to match with the background.
Cant thank you enough!