Forum Replies Created

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  • That is odd. It would be understandable if it were the RED proxies themselves
    in the sequence but you had it happen with transcoded prores.

    one of those bug blessings.

  • Chris Borjis

    May 13, 2014 at 7:36 pm in reply to: Yellow Render bar with Prores in Premiere CC

    I’ve never had yellow lines with pro res unless I pulled the GPU (had to get a Quadro 4000 card replaced once)

    And thats on a mac system as well. (though it was CS6 at the time not CC)

    somethings not right.

  • Chris Borjis

    May 13, 2014 at 4:52 pm in reply to: Yellow Render bar with Prores in Premiere CC

    are you on a pc cody? do you have a gpu installed?

  • Chris Borjis

    May 13, 2014 at 4:07 pm in reply to: AVCHD to BluRay

    like the other said, it could be your disc media causing it.

    I know some have had issues with h.264 encoded content in Encore,
    others not.

    What I do know is, if you use mpeg2 instead which looks every bit
    as good, at a higher bit rate there will be less issues to deal with.

  • Chris Borjis

    May 13, 2014 at 4:05 pm in reply to: When is the next update?

    [Pat Horridge] “More incentive to innovate then. Less now.”

    I don’t see it that way. Adobe is giving us point upgrades every 6 months
    instead of the old model which was 1-2 years apart.

  • Chris Borjis

    May 12, 2014 at 9:19 pm in reply to: When is the next update?

    the first CC upgrade from CS 6 was the June after that year’s NAB.

    nobody but they really know, but June “could” be it based on past releases.

  • sounds like the “CALM ACT” levels.

    Premiere CC comes with a great metering plugin called “Loudness Radar”

    just add it to your audio track then play it.

    It should not go below -22

  • [Shravan Ram] “You mean export as an AIFF/OMF file and then work on it using audition ?

    Is that what you normally do ?

    How about just trying to adjust the volume levels manually in Premiere Pro -bringing it down where there is noise in the background and increasing where there are dialogues spoken”

    At our facility I hand the audio off to one of our audio engineers who use Pro Tools HD.

    But yes, if i didn’t have that option, I would export an omf or send to audition to use it.

    I’ve never been a fan of doing all the audio post work in the video editing software,
    it just doesn’t work as well as a dedicated sound application.

  • [Shravan Ram] ” Adobe Audition has a good ‘noise print capture/removal’ process but it allows it to appl this only to individual clips and not an antire track/sequence so it will take ages to appl it individually to 100+ clips or so.”

    export the audio from premiere so you have it all, then bring it in to Audition.

  • [Acacio Ximeno] “I have download the codec open source X265”

    are you sure it was the codec and not the source code to the codec?

    I don’t see anywhere to download a pre-compiled plugin that would work
    with 3rd party products like adobe.

    It’s more likely to be released built in with a newer version of premiere in the future.

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