Forum Replies Created

  • Charlie Herrick

    April 2, 2019 at 3:54 pm in reply to: Media Pending Forever

    Thanks! Great idea; however when I tried to import a sequence from that file, the dialogue listed nothing. I’d previously saved another version of the project and that too listed no sequences.

  • Charlie Herrick

    February 2, 2019 at 3:02 am in reply to: Video not as sharp as photo

    H.264? It’s whatever the Nikon shoots natively… Only difference is I’ve installed the Cineflat profile.

  • Charlie Herrick

    January 30, 2019 at 4:43 pm in reply to: Exported Video Way Too Dark

    Thank you! Thank looks like a great article to study…
    At this point I’m trying to figure out a quick fix for the work I’ve already done.
    Weirdly, without changing any other settings, I added a timeline node with a gamma boost but it still came out looking the same…

  • Charlie Herrick

    January 30, 2019 at 3:46 pm in reply to: Exported Video Way Too Dark

    I’m just using two Samsung U28E590D 28-Inch 4k UHD LED-Lit Monitors with an X-rite Colormunki calibration device that monitors the ambient light in the room… So no professional grading monitor unfortunately.

  • Charlie Herrick

    January 24, 2019 at 2:48 am in reply to: Weird color after crash

    Thanks Marc; I’ll definitely keep those things in mind!
    Weird thing though: in this case it turned out to be temporary… At first it was affecting the whole clip, then the clip returned to normal but the thumbnail was still incorrect—after awhile the thumbnail went back to normal… Weird!

  • Charlie Herrick

    January 23, 2019 at 7:43 pm in reply to: Nodes Acting Strangely

    Thanks for the reply!
    I think I figured it out: I was adding my skintone nodes right after one another in a single separate branch before combining them with the rest of the grade in a layer node down the chain—when I added another input to the layer node and made each of my skintone isolations as parallel nodes, it worked.

  • Thanks for the advice! That makes perfect sense. Unfortunately it’s still a rather laborious process, but at least it’s accurate. I’m finding I still have to copy the original clip to a blank track, remove the time-alteration effect, remove any transitions (so they don’t render—I want to keep things editable) and extend the in/out points of the clip to start/end of the actual footage, and then adjust the in/out points to match the original clip—or else when I replace it, the new clip will start where the old footage started—as opposed to where the cut was made, if that makes sense?

  • Yes, I think you’re right! I’m now going through and replacing each time-altered clip, which of course leads me to this thread.

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