Charles Haine
Forum Replies Created
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You can use markers!
Alex Van Hurkman just had a great article on this:
https://vanhurkman.com/wordpress/?p=2542
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Super helpful info; much appreciated.
So, I render out my 23.98 project to DPX and encode it to MXF for DPX and it’ll stay in sync with the audio, provided they’ve conformed their audio from 23.98 to 24 as well?
Awesome.
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I have the same problem with both my systems as well.
ProRes4444 with audio from either an internal RAID striped for speed or external drive.
18-20fps at 10bit monitoring
20-22fps at 8bit monitoring.It generally plays perfectly in the conform room.
Doesn’t matter what tab is selected in the color room (power window, curve, etc.)
Room 1
12 core
16gb of RAM
GT120 GUI
GTX570 GPURoom 2
4core
12GB of RAM
4870 GUI
3x GTX285 GPUBut they both give identical playback speeds; super frustrating.
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Since I posted this on christmas eve (hopefully some of you weren’t at work that day!) I figured I’d give this a bump.
Any ideas on why I’m having issues rendering out true 24?
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My sequence was actually set to 1080 when I created it; our original plan was a 1080 finish, then midway through the grade 4k became a viable solution for us.
So, all the sizing is great for 1080.
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We were working on .R3D source media, and I’m sorry, it was OpenDCP not EasyDCP.
Thanks for all the great feedback.
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Oh, but when I go to do that, there seems to be some bug where it still makes me download 9.
Tried both Chrome and Safari.
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I built a pre-set in the Output tab of the format room for a 2×1 stretch that worked well on my last Anamorphic job.
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Unless Lite started working with multiple GPUs and I didn’t notice, I still need that software! And it won’t work without the dongle.
Thanks for all the great suggestions, folks.