I just purchaed the Fuji HA16X6.3BERM. It is a sweet piece of glass. The nice thing about it is that you have the 6.3 but you also can zoom to 101. Granted the 4.5 is wider but it only zooms to 59. It really depends on what you are doing, but I think that the 16×6.3 is a great all around lens.
Chris,
I was using TOD when I jam synced my cameras. Hardwired though. Go to the RAMPS chat site. Wireless timecode send and receive issues are thoroughly covered there.
Sorry for the ignorance but where is the RAMPS chat site.
Thanks
Wouldn’t the AVC option be a huge advantage in picture quality with full raster 10 bit 422. It’s hard to tell at the show but the 2000 looked alot better at the camera demo. The 500 looked only slightly better than the HVX200.
What is the difference in picture quality between the 500 and the 2000? Would the 2000 make a better production camera, is it more sensitive and does the 2000 have cine gamma?
Thanks
Having the same problem here. The render file will not update ON THE TIMELINE unless the clip is moved first and then re-placed into the position. If anyone knows a fix, please post.