Brian Walsh
Forum Replies Created
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Nevermind! I figured it out with the expression on this thread:
https://forums.creativecow.net/thread/227/40#42Dan Ebberts to the rescue ONCE AGAIN!
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I used Dan’s expression if you’re using a null to control your camera in conjunction with this expression and came up with this.
….Probably self-explanatory to many of you, but it came in handy for me so I wanted to share.
target1 = thisComp.layer("Target 1");
target2 = thisComp.layer("Target 2");tStart = 1; // transition start time
tEnd = 3; // transiton end timed1 = length(to_world([0,0,0]),target1.position);
d2 = length(to_world([0,0,0]),target2.position);ease(time,tStart,tEnd,d1,d2)
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Just read the post. seems pretty simple, actually! Thanks!
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Well I guess they do have timecode that begins with 00:00:00. I guess what I meant was that they don’t have timecode that refers to the timecode on a tape. Thanks for the link, I’ll check it out.
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I’ve found a solution for Particular. Harry Frank gives a great tutorial on how to do this here: https://www.graymachine.com/v3/07-particle-orientation-in-trapcode-particular.html
Check it out, it’s great! -
I’d also like the camera to pull out of the explosion of faces and do a full 360º rotation on its Z-axis, but it appears that Particular auto-orients toward the camera. This sounds like the same problem actually. auto-orienting to the camera instead of the emitter. hmmmm…
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Francis,
You might be working in CMYK colorspace in Illustrator, while After Effects works in RGB colorspace. Switch your colorspace in AI to RGB, see if that helps. -
what do you mean by ‘single point perspective’? I believe a 35mm lens comes closest to how a human eye sees things, if that helps. Otherwise, explain exactly what you’re trying to do.
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Gradient, blur, grain/noise, blow out whites and boost cyan levels. There really is no mystery involved in this.
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Thanks for the advice. I’ll look into it tonight. The link is working fine for me…any others having trouble viewing my work?