Brian Sarfatty
2
COW Coins
2
Premiere Pro Coins
Forum Replies Created
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After much research, it occurred to me that the “Source Settings” is a scaled down, integrated version of RedCine-X.
I found this, and it answers most of the questions:
https://www.red.com/learn/red-101/redcine-x-grading-tutorial -
Thanks, that was awesome!
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I am still floored that I am able to do what I can with raw RED files on a nearly four year old Mac Pro with 2.5 Ghz Core2 Duo and 4GB Ram . Working at 1/16th I can scroll smoothly through footage and find precisely the frame I want (I like to throw all my footage into a “work” timeline and scroll through it to find my shots for my edit timeline). The scrubbing I get is so much smoother than 1080 ProRes 422 HQ footage we used to transcode to and use in FCP7. Since I discovered the Premiere trim tool, I have been a lot less frustrated, and am just avoiding trimming in the timeline. The trim tool works great.
The pixely look is fine for timing, it just reminds me of the old days working on Meridian/AVBV Avid where you’d capture footage at a low resolution, except I don’t need to do any re-capturing or re-linking to get the high res. I have no client over my shoulder, so for the type of work this is fine.
I find it odd, though, that the trim tool loads in the 1/16th res mode, and performs quickly, while the timeline trim tools try to full the full frame size and are so sluggish. I know this trim mode is something new to CS6, so perhaps they were implemented without the Mercury Playback or using some older technology. I searched the Prefferences for any way to modify the resolution used in these problem tools, and couldn’t find anything. Anyone know of any way to control the resolution of these specific tools? Maybe they will improve their performance in a future update?
@Thomas, the whole reason I am using Premiere is to avoid transcoding. Our old workflow was to transcode the Red media and cut in FCP7, which delayed editing for a few days, and created issues trying to relink back and forth with Color (also also someone else had to do color as I could never figure it out). I was able to start editing this project WHILE they were still shooting it.
Re performance, last night I copied my media from a FW 800 portable drive to an eSata 7200 RPM drive. Not perfect, but a very noticeable improvement. I can now get the same performance at 1/8th that I was getting at 1/16th on the old drive. And the timeline trim tools are noticeably more responsive, though still a bit too sliuggish to be useful. However, this makes me wonder if the bottleneck is the system itself, or just the hard drive?
Do I need to RAID two Hard Drives and connect via eSATA? Or should I be looking at a SSD? Can you even get good performance from an eSata connection? I don’t have thunderbolt, and Thunderbolt drives are still so expensive….
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Ahh. I know this. Clip > Video Options > Frame Blend. It’s not quite the same as frame interpolation (like in Avid or After Effects). This is presuming the issue is with the time remaping.
The issue might also be playing back footage in QuickTime player as opposed to edit software. Editing software has all kinds of methods for getting higher res footage to play back within the software. But if you were to export a clip nearly uncompressed, and try to play it back just using the spacebar play from the Mac finder, or open in Quicktime, it will stutter because it won’t be able to play back. All the data is there, this is just a playback issue. When I get animation codec Quicktime files from animators, or screen capture devices, and try to play it back outside the edit software, it is super jerky.
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Ok. But what about the laptops? As a freelancer I need to be mobile.
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Do you think the latest version of MacBook Pro with maximum RAM is sufficient? Do I need a graphics extension card or is that not a
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Update – manually entering trim mode using the “T” shortcut seems to work great. This version of the trim mode seems to figure out how to use the 1/16th res to keep up. As long as I do the dragging on those little monitors it’s great. This is the new CS6 trim mode.
Where it falls apart is when I to use the Ripple Tool, Slip, and the other “toolbar tools” to perform a trim by dragging in the timeline, and those A/B or quad monitors come up temporarilly while dragging. The computer stalls like crazy, and those monitors don’t come up until I release the cursor, and by then I’ve committed to an edit that I never got to see, then the ball spins and I cant’ play for a few seconds.
It seems in this tool-based quick trim modes, the little monitors I think are trying to pull up the full 4K frame, because the image looks super sharp. Whereas the formal trim mode (“T”) the a/b side images are more pixelly, so presume these feed the resolution cut-down preference.
Every now and then, though I still find myself dragging in the timeline like in FCP and the performance lag is driving me bonkers.
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Photoshop seems to be able to handle working at 4K resolution just fine. Have not noticed a huge lag. Just within Premiere. But again, there’s so many of these simple supers, I don’t want to get into making them all in Photoshop.
I am having other performance issues, mainly with the split screens that come up doing certain types of trims. See:
https://forums.creativecow.net/readpost/3/930579 -
How do I get the title into Photoshop from Premiere? I know there is a way, just don’t understand how yet, new to software. Also, again, want to avoid doing titles in third party app.
I did try making titles in a 1024 HD project, and the performance was much better.
I then tried forcing the size of titles to be 1920×1024, and then dropping them into my 4k sequence. Did not go well. Had to resize, then hard to line up, looked pixely….
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I too was wondering how to do marker out points like in FCP7. Can you explain how to do this is Prelude?