Brian Pitt
Forum Replies Created
-
Wow….I’m an idiot. I fixed the problem the first time I tried. I just didn’t turn the deck off and back on. THANK YOU for the suggestion. Everything seems good now. Thanks again!!!
Brian
-
I actually just found that manual about 5 minutes before you posted this, but I’m still not having any luck…
Brian
-
Okay….I think I’m getting close. If I change the Capture/Input to DV NTSC, I now get a signal in Final Cut. But I need this captured as DVCPROHD. This leads me to believe there is a setting in the deck that is downconverting to SD through firewire. I am not familiar with this deck and the rental didn’t come with a user manual. Can anybody help me out?
Brian
-
If there is a way….I don’t know it.
Brian
-
If you have all of Camera 1’s shots on V1 and all of Camera 2’s shots on V2, you should be able to do this as long as they are synced at this point.
What I would do is hide the V2 track and export V1 as it’s own clip. Then Hide V1 and export V2 as it’s own clip. Import the two clips and sync them as you would any other multi-clip using the in as your sync point.
Brian
-
Open the footage in Cinema Tools and conform it to either 24 or 30 fps. Then import it into Final Cut and it will be slow and crystal clear…
Brian
-
Slow down there turbo… This isn’t for broadcast. It is for the tennis player to evaluate his game. He requested a locked down camera at that angle. I’m not sure where the assumptions of a massive production are coming from. I’m not looking to win any awards here.
Brian
-
The camera will actually be locked down behind one of the baselines. There is a spectator section and a place to put the camera on a tripod for an unobstructed view of the court. The full court and both players will be in the shot at all times.
Brian
-
Thanks for the suggestions.
Brian
-
I should really start proof reading my posts….sorry.
Brian