Brian Deviteri
Forum Replies Created
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Jan,
Is there any word on if we can take the firewire out of the HVX200 and put that into a regular firewire external hard drive (Lacie, Maxtor, Western Digital, etc) for recording? Or do we have to go into a laptop then to an external drive? Or do we have to use a Focus Enhancements style external drive?
I think an answer to this part of the workflow will really put this into perspective a lot more for many people while they are considering this camera as their field recording solution.
Brian
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thanks for the quick reply Jan… hopefully I can free up my schedule to make it up to New York that day. Any plans for an event or demo in the Philadelphia area?
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Jan,
Will the model on display in New York be exactly the same as what we can expect to purchase in November/December this year, or are some of the features still being worked on and added to the camera?
Brian
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thanks for the link…
I’m trying to compile this comprehensive list, but I’m getting conflicting figures about the data rates for 720/60p, 720/30p, 720/24p, 1080/60i, 1080/30p, and 1080/24p. Does anyone know the exact MB/s or Mb/s rates?
Thoretically DVCPRO HD should all be at 100 Mb/s, but that does not take into account the varying frame rates and/or frame sizes.Does anyone know the image size and pixel aspect ratio for 720 or 1080 in the various flavors?
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That has basically been my workflow as of right now, but I’m going to be “authoring” a lot of discs in the 1hr 45min range over the next few months. I know there are external tools like Cuttermaran 1.65 that can write auto chapter code for IfoEdit (celltimes.txt), Maestro (.chp), Scenarist (.txt), CCE (.txt), and DVDAuthor (.txt).
Are there any programs that can write the Adobe metafile similar to the one you get when you export an MPEG-2 out of Premiere Pro with chapter marks set on the edit timeline?
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I don’t know if Jan can give a definite answer, but I’ve read on the Adobe forums that the “Cineform” solution might be the way you will have to handle any HD footage. This doesn’t make sense for P2 purposes, but right now it’s the only option.
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what source are you looking to capture? what outputs/inputs do you need? do you need timecode or not?
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The reason it is set this way is to allow the user to set a “seperate” folder in order to prevent bottlenecking through a firewire data stream or overall disk data stream. Many users report a better user experience when using audio and video on two seperate disk drives (not on a partition only, on two seperate drives).
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what version of Premiere will you be using?
some free links:
https://www.stevengotz.com/
https://www.effectivemarketingsecrets.com/dvd_premiere_shortcuts.html
https://www.editorskeys.com/images/products/premierestickerslarge1006.jpgsome stuff that will cost you a few bucks:
https://www.adobepress.com/bookstore/product.asp?isbn=0321220528&rl=1 -
Not like an Avid project, no. From what I hear, they are two totally different animals in terms of moving from one system to another.
If you really need to move a project into PPro, your best bet is to export each track from elements individually as a DV AVI and then import them into PPro for re-editing or finishing, but then you will loose the original clips and the ability to add a few frames here or there. But as of right now, I think this is probably your only way to do it.
I seriously doubt that this will be any different in PPro 2.0, but who knows.