Brett Howe
Forum Replies Created
-
After all this interesting drive discussion, I think the key here is….can we have a disk speed test from blackmagic, that will run without the BM hardware? Then we can make the call on our system specs simply…..please blackmagic….you know you want to!
Brett Howe
Creative Director / Producer
Brave Vision Pty Ltd -
I take it back! It looks like it’s my CANOPUS storm2thats adding contrast and chroma. Ignore my last post. The canopus Storm’s days are numbered!
Cheers
Brett
-
I have noticed this also, just doing a sofware render on a NON BM machine (offline). THe chroma and contrast are lacking in all BM codecs.
Can we adjust the proc amp for rendering from AE or premiere 1.51?
Cheers
Brett
-
I have just tested a BM card myself and had the same question. As far as the asio controls go…isn’t the asio part of premiere a plugin, which requires seperate authorization?
I’d love to hear an answer for your problem too?
Brett
-
so we will still have deck control through premiere?
Is this the same for the multibridge line?
Cheers
Brett
-
How about in XP? Is there much of a difference?
Brett
Brett Howe
Creative Director / Producer
Brave Vision Pty Ltd -
Hi Stewart.
I’m just about to take the plunge and buy the blackmagic HD extreme. Just looked up this last thread we had, as I check the current issues, so I can head them off at the pass. I’ve got a couple of questions for you if you have the time.
1./
So we established that HDV can play off the full res BM timeline. The BM website states “Premiere Pro 1.5.1 and 2.0 can capture HDV via Firewire and then transcode the video to an uncompressed Blackmagic 8 or 10 bit timeline. Once the transcoding process has completed, you can edit the video and audio and then play it out as uncompressed video through your DeckLink HD series card. I’m not entirely clear on the “Transcoding” …any clues?2./
It seams to me the feasability of offlining in native HDV for the early, and rough cuts is practical, as I can import this premiere project into a BM project…is this correct?3./
Sounds like you are monitoring in HD. You mentioned you had down-conversion issues. Can we live monitor in SD (SDI or Component)?4./
Have you had any joy sorting your sync issues. If my above question is yes, are there sync issues in SD?Basically I’ve got to build a box for the card to live in, and although I don’t want to fly too close to the wire, I don’t have an unlimited budget….it seems like only last week I built my last edit suite.
-
Thanks John.
I figured this would be the quickest, and most practical method. The problem is the editor has not been able to run this project (or any other for that matter) back to HDV tape. (SONY)
Any ideas. Can somebody point me to a link for this, or any tricks, or tips we should know about?
It shouldn’t be this hard!
Brett
Brett Howe
Creative Director / Producer
Brave Vision Pty Ltd -
Sounds great!
Anybody know if this feature is available for PC (premiere pro)?
Also…possibly a bit off topic, but do u know of a Component HD to HDV converter?
Cheers
Brett
-
I have yet to go to 2.0 but I’ll give you my insight.
It sounds like you need to make sure your scratch directories are set up the same as your previous projects.
Then your audio, and video previews and renders should (guessing) stay intact.
Of course I could be wrong, but it sounds good!
🙂
Brett