Bouncing Account needs new email address
Forum Replies Created
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Bouncing Account needs new email address
August 22, 2007 at 2:57 am in reply to: recaturing footage using time codes from previous footage[stellabeam] “Recaturing footage using digitised time codes from previously captured clips.
Is this possible?
I brought the clips in on the wrong setttings and the audio is 2 frames out of sync. Do I need to type in all the clip TCs again or can I batch capture using stored TCs. “Highlight the “bad” clips in the Browser, then control-click and choose “Make Offline, remove from disk.”
If there is a wrong setting in the Browser for these clips, change it at this point.
Then, highlight the clips again and choose “Batch Capture.”
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Bouncing Account needs new email address
August 22, 2007 at 2:51 am in reply to: Timecode at beginning of tape[thewanggao] “Hello, I recently batch captured about 3 hours of footage for a documentary I’m working on. I shot NTSC DV on MiniDV tapes, all blacked before shooting. “
Add to your free education that there is no good reason to pre-black camera tapes.
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Bouncing Account needs new email address
August 16, 2007 at 4:58 am in reply to: Tech support for a friend-deck problemsIs the deck –
A, in REMOTE mode?
B. set for FireWire (iLink) control?
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Bouncing Account needs new email address
August 16, 2007 at 4:55 am in reply to: No Audio in Timeline or CanvasTry trashing the FCP preferences.
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Bouncing Account needs new email address
August 15, 2007 at 1:53 am in reply to: USB powered passport drive – for location editingWhile 5400 rpm drives CAN work for some video, the “preferred” speed is 7200 rpm.
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Bouncing Account needs new email address
August 6, 2007 at 4:06 am in reply to: mixer and wireless link to camcorderI have never ever left a shoot regretting connecting the audio via a cable.
I HAVE left many shoots asking why the heck the RF was noisy only on the KEEPER takes.
RF is an iffy proposition under the most controlled and “clean” (free of other RF) conditions.
In an environment of other sources of RF (computers and medical gear) and lots of metal cabinets and stands…
OMG, don’t do it!
Why on earth would you need to?
Just use a longer cable for your audio-to-camera link… and enjoy life!
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[Lukewarm13] “I filmed a wedding and it is all in 16 bit 48kz….Am I right to capture the footage in a matching 16 bit 48kz with two channels? Is 16 bit 48kz the best option to film in?”
Yes.
Yes.
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Bouncing Account needs new email address
July 4, 2007 at 3:22 am in reply to: Audio Blown Out but not in the RedI’d guess you over-drove the mic pre-amps in the camera.
If that’s the case, sorry, but its too late now to do anything that will effectively correct for that.
But remember this the NEXT time…
If you wish to USE the audio that you record… you must wear good headphones throughout the shoot to monitor the quality of the audio at all times.
If there’s an audio quality problem, try to fix it before you continue.
Audio meters alone are nearly useless.It is just as important to the audio to monitor with headphones, as looking at the viewfinder is to the image quality.
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Bouncing Account needs new email address
July 3, 2007 at 10:27 am in reply to: when to use drop-frame vs non-drop frame[editcrib] ” I don’t want to start cutting and have the wrong frame rate on my sequence timeline.”
DF and NDF are not frame rates and do not affect your footage in any way.
They are simply an frame numbering and locating system and either will work just fine.
Drop Frame is designed to match a running clock for real-world timing purposes.
But it does not drop FRAMES, it drops frame NUMBERS.You can use both DF and NDF footage on a timeline that is set for either.
https://www.csif.org/html/dropframe.html
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Despite the other answers… mine remains, “no.”
Because:
A) the methods don’t work very well.
B) there are few “legal” reasons to remove vocals from commercial recordings.