Bouke Vahl
Forum Replies Created
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well, if the timecode is fed into the TC input of the cams, and they recorded all the same timecode, you are home free.
But, if this is not the case (and i’m pretty sure it isn’t, or you would not have posted here), you have three options:
Buy my software and be done with it, buy Avid and be done with it, or do everything manually and be done with it.Bouke
https://www.videotoolshed.com/
smart tools for video pros -
Chris,
This is not uncommon, and there is a solution:https://www.videotoolshed.com/product/26/fcp-auxtc-reader
Don’t hesitate to contact me if you run into trouble.
(I’m the developer)hth,
Bouke
https://www.videotoolshed.com/
smart tools for video pros -
I know NOTHING about your workflow, but the mistake is exactly a DF / NDF conversion.
So i would suggest you start looking in the avid if there is something to be found.
Otherwise, it might be that DaVinci is using MXFinfo to extract the TC.
There used to be a bug in there, see here:
https://sourceforge.net/projects/ingex/forums/forum/531547/topic/4765164hth,
Bouke
https://www.videotoolshed.com/
smart tools for video pros -
well, you could try this one, it does read QT TC.
https://www.videotoolshed.com/product/24/rs422-file-logger
It’s in use with eg ESPN.Note that i might be biased, since i’m the developer.
Do toy with it, don’t be shy with questions.hth,
Bouke
https://www.videotoolshed.com/
smart tools for video pros -
well, this is quite logical, since the absolute pathname is in the XML.
You could have reconnected, or (using a text editor) change the path in the XML.
Do have a look, just for fun. XML is very well human readable.
hth,
Bouke
https://www.videotoolshed.com/
smart tools for video pros -
Beside Daves options, there is also this:
https://www.videotoolshed.com/product/66/mp4-to-quicktime/3Bouke
https://www.videotoolshed.com/
smart tools for video pros -
You did not get it.
A blur gets rid of the moire.
But you don’t want to blur the entire image, thus:
Create a matte, or wipe, to select the affected area, and apply the blur only there.And to see the moire it’s best to switch to composit on your client monitor. The limitations of composit video (as in SD broadcast) make it way worse than on a computer monitor or watching component / SDI.
Bouke
https://www.videotoolshed.com/
smart tools for video pros -
no problems. I assume you want 25 FPS?
Link to file:
https://rcpt.yousendit.com/1283532464/356604333aec3c18a1bc25ec5a8c2fcbWatch out for the correct channel the LTC lives on, these are some random clips.
there is also 1 hour of LTC in a Wave file, so you can run your own tests.
(play back from any player and record the LTC both on your cam and your Zoom. There is also a WaveToBWF application that can convert the waves to BWF based on the audio tc)hth,
Bouke
https://www.videotoolshed.com/
smart tools for video pros -
This is called moire.
You can make a matte (or soft wipe) for the affected area and put a bit of blur on the spot.
That takes care of it.Bouke
https://www.videotoolshed.com/
smart tools for video pros