[Austen Mathieson]

Thanks guys. It’s just some project files and plug ins aren’t interchangable which is annoying and poor by Adobe standards.

Austen Mathieson
Austentatious Productions

[Austen Mathieson]

Holy Sh…….
Didn’t realise the time.

And you’re absotively posilutely right, never had anyone complain or even mention framerates.

80% of clients wouldn’t know a framerate variation from a fame rate variety show.

Going for some well deserved drinks now for Burns night here in rainy London.

Excellent

Austen Mathieson
Austentatious Productions

[Austen Mathieson]

Bravo Dave,
Not to mention the fact that so many films have scenes shot at high framerates then are in “slow-mo” when played back at 24p. So by that rationale, … well you see where I’m going.

I’m in UK and use PAL 25p. It’s my format. It’s my medium. It’s my preference.

Austen Mathieson
Austentatious Productions

[Austen Mathieson]

Just for those who think you can’t use 25fps in a major cinema movie, James Cameron filmed ALIENS in Acton London in UK and the scenes where we see the soldiers roaming around looking for the aliens via their personal helmet cams was shot on 25fps and cut into the 24fps footage, that’s exactly what you see wherever you watch that great movie, and I ask you can you tell or notice any difference whatsoever?

No you can’t. even though it plays at different speed you can’t tell, subconsciously or otherwise.

And they didn’t convert the framerate, it’s still today in it’s native 25 cut into 24.

Austen Mathieson
Austentatious Productions

[Austen Mathieson]

Excellent point. Big name movie makers and broadcast companies alike, along with alot of big stars are moving towards video for making “films”. It’s the way forward I think for many reasons.

Austen Mathieson
Austentatious Productions

[Austen Mathieson]

I’ve been using PAL 25p for years (been shooting all formats for 12 years) & I have to agree with Dave, I prefer 25p to 24, & just to ask… as film makers or video artists, aren’t we looking for our stories to represent reality?

“that doesn’t change the hard-cold fact that the jerky motion of 24p = film look, while other frame rates represent reality/doco films.”

I for one love my work to be called convincing & represent reality.

“The bottom line – 24p is more expensive, and more intricate to work with for a good reason: it looks much much better and more convincing.”

No offense intended to anyone, film school or other.
Just my opinion. I prefer 25p & Like Mike said “If it’s not broken, don’t fix it.“

Austen Mathieson
Austentatious Productions

[Austen Mathieson]

???

Austen Mathieson
Austentatious Productions

[Austen Mathieson]

Is it a real set?
I’d persenally keep the lens level. ~See Ghost, Fight Club, Panic Room, Various episodes of Buffy~

I think it looks better that way but if it were to simulate a floating/rising spirit or astral projection etc it would be cool to look up as you said.
Just my 2 cents but David Fincher did it best in Panic Room and Fight Club.

Austen Mathieson
Austentatious Productions

[Austen Mathieson]

Oops sorry I found the reg part.
Tanks again

Austen Mathieson
Austentatious Productions

[Austen Mathieson]

Ah cool my appologees. Where are the full res clips?
Thanks

Austen Mathieson
Austentatious Productions