Arthur Lunn
Forum Replies Created
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720 is the workhorse of the HVX camera.. so to answer your question, yes the HVX is mainly a 720 camera because you get glass-smooth FPS speeds (both ways) amongst quite a few other options. 1080 has more resolution (1920 x 1080 as opposed to 1280 x 720), but no FPS alternations. Also I prefer in-camera progressive over interlaced, although you can de-interlace in FCP.
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What would help is if you watch other reels- as many as you can, to get a feel for them, and then in the first 30 seconds do something that stands out; something that makes you stick out (and in a good way).
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It still remains that there are no clear-cut imitators. Is it because his style is hard to imitate? What are the factors we are looking at? Is it a case of someone who really has carved his own niche?
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Well that’s the thing- they are individual editors, but the style evolves (somewhat consistently) in each of Guy Ritchie’s film, so it is rightfully his, even if we have to call it edit-directing. Also there are in-camera effects that we cannot ignore, and the editors are not responsible for that.
I wonder why there are not more imitators, is it because of the degree of difficulty in capturing that style? Does one have to have a feel for it?
Thanks..
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double click clip in timeline to import to viewer, then click motion tab in viewer, you will see the option to resize.
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I use the HVX200 and the Panasonic AJ PCD20 card system, and I got the “idle clip” every once in a great while.. I just delete the operation and try again and if it persist, one option I have is to trash my FCP settings and start fresh. You can read more about this in Ken Stone’s FCP articles (trashing prefs). Sometimes the prefs become corrupted.
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That worked.. many thanks!
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I am doing studio (including DVD). Please clarify what VAR is. Thanks.