Antony Tsoukatos
Forum Replies Created
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[Richard Lee] “Thanks, I was specifically advised by Sennheiser that unless using coordinated frequencies with JFMG we’re only allowed to use bank 1”
Really?!? I find this quite odd.
I always thought that any frequencies between 606Mhz and 614Mhz (Ch.38) are open to all licensed users. And in the G3 100s that I’ve got, I can see usable frequencies in Banks: 6,7,9,10,11,12.
And certainly Banks shouldn’t mean a lot really. It is just the way the manufacturer “organises” the provided frequencies with its products. (Someone please correct me if I’m wrong here ).
Also, with the G3s – under the Custom banks – you can manually change the frequencies but the RF modulation is not guaranteed to any frequencies that are not in the user banks,
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[Richard Lee] “I’ll give this a try though I am lead to believe there are only 12 frequencies on bank 1 that can be used in the UK?”
You can use any frequencies in Channel 38 band (I believe that means any between 600-638Mhz or thereabouts – check on that).
Other banks on the G3 cover these frequencies as well.
There is a chart that came with your G3 which states which bank covers which frequencies.
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Hey Peter
I know you said that this app should be for PCs but I will momentarily divert you to the Mac world.
For the Mac platform, there is this app called Soundflower and it can give you up to 16 channels of virtual audio routing. Subsequently, any audio app (and the OS) can use any of these outputs. And as a result you should be able to stream them in the DAW that is being used.
I Googled if there is a PC equivalent of Soundflower and the search comes back with JACK https://jackaudio.org/. Have a look if you haven’t already and let us know if this works.
If there are a caveats with this setup these would be that not every app gives the ability to select it’s own dedicated audio out. Especially not the “domestic” ones. Instead they follow the output set by the OS. But you mention Skype and this indeed gives the option.
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I am looking forward to see it myself. When I read the product announcement a while back it appeared to be a variant of iZotope’s RX. Hard shoes to fill in my opinion!
I am using iZotope RX2, Cedar DNS One and Waves WNS on a daily basis and until there is one plugin that does the work of all the three I just cannot get excited… 🙂
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Superb. Cheers for the reply back and apologies for the amateurish question.
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Cheers for that Rane
We were thinking of retaining this in the 24fps format (easier to go to 30fps as well as 25fps).
What would someone recommend?
Thanks
Antonis
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Thanks for all your help Jeremy…
So, you say that the deck might decode the audio for you. But that “might” can worth a lot of money, avoiding the purchase if kit that does decode it :)…
If it does not, what happens then? As I am writing this I am thinking that the only other solution could be to feed the audio out of the HD deck to a Dolby encoder and feed the audio out of the Dolby Decoder to the Kona card upon ingesting. Would that be the best workaround?
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I am sorry I did not clarify the technical backgound.
It is definitely going to be HD Deck with an SDI output. And a Kona card is going to be used for the ingesting. What I am trying to clear out is how the editing process of with all encoded/ decoded audio (refer to my initial posting if you can please)
Thanks for your help all
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Good question. Not in yet. Could you lay down for me what difference would this make?
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The subject that I put down perhaps does not fit with the Audio Pros Forum. I am changing it a bit here in case it helps.