[Anthony Miles]

Thanks Eric,
I appreciate it. I am seriously considering the addition and wanting to enjoy the benefits of PPro CS5 advertised speed enhancements, but I really can not handle regular instability in my editing environment.

I look forward to more comments from other users.

Best regards,
Anthony Miles
DP, Editor 4th Wall Productions, LLC
https://4thwalltvandfilm.com

[Anthony Miles]

I am so sorry to hear about your trouble. Pains me, brings back years of old PPro pain really. So how common are major stability issues in the domain of Premiere Pro editing these days. I was thinking of getting PPro CS5 but if this type of instabiltiy is still PPro’s deal then I may not be interested no matter how fast it is, it’s like the tortoise and the hair kinda.

And anybody say if it is better on Mac or PC? Stability and or speed comparisons?
Thanks!

Best regards,
Anthony Miles
DP, Editor 4th Wall Productions, LLC
https://4thwalltvandfilm.com

[Anthony Miles]

I too have been eagerly awaiting these new what sounds to be very useful upgrades in speed and capability. I moved from adobe to FCP about 4 years ago and FCP was so stable it was amazing, it literally changed my life where the old PPro was always crashing. I want to try CS5 as well, but looks like I will have to try another route to see if it truly does what Adobe marketing it says and if it is STABLE on longer form projects.

You think the companies doing the licensing would see teh benefit of extending the trial as well. it is pretty short sighted from a business perspective to not let Adobe pt it out there to show it off. Unless Apple owns the licenses and they don’t want to share the love 🙂

Best,
Anthony

Best regards,
Anthony Miles
DP, Editor 4th Wall Productions, LLC
https://4thwalltvandfilm.com

[Anthony Miles]

Thanks Bill,
I totally agree about the phone number I have said that for years. I appreciate your feedback and information.

Take care,
Anthony

Best regards,
Anthony Miles
DP, Editor 4th Wall Productions, LLC
https://4thwalltvandfilm.com

[Anthony Miles]

Thanks Bill. I agree with most of what you are saying here. Unfortunately, the copy was to long. As is most of the copy I get on many spots. I made the call to read it long, and now I am stuck fixing it. (I used to do this in sound forge successfully, pretty easily and it sounded fine) What should be the proper word count for a 30 and a 60 second spot? if you want a human sounding nice read and not a screamer. I have been on mac now for about 5 years and I haven’t even had sound forge installed on a machine in years as i still am on v.4.5, I think.

Best,
Anthony

Best regards,
Anthony Miles
DP, Editor 4th Wall Productions, LLC
https://4thwalltvandfilm.com

[Anthony Miles]

Yes, I do. hve teh flip and I just upgraded it to the latest mp.1 microprocessor controlled version as well. I am willing to sell just the adapter or adapter and rod and rails system separately. email me at: ( anthony “@” 4thwalltvandfilm.com) if you would like more details.

Best regards,
Anthony Miles
DP, Editor 4th Wall Productions, LLC
https://4thwalltvandfilm.com

[Anthony Miles]

So after testing and reworking, I found that creating a compresssor droplet to convert footage to ProRes, then relinking media in a duplicate project seemed to make the most sense for me. Thanks for your help and suggestions.

Best regards,
Anthony Miles
DP, Editor 4th Wall Productions, LLC
https://4thwalltvandfilm.com

[Anthony Miles]

Michael,
I made new duplicate sequences, deleted all video left audio in place and, strange, but I am getting copies in the same .dv format, with video and audio. I checked “recompress” in media manager.

Any more clues?

Best regards,
Anthony Miles
DP, Editor 4th Wall Productions, LLC
https://4thwalltvandfilm.com

[Anthony Miles]

Wow, that is excellent advice, I am trying that now.
Thanks so much. I will let you know how it goes.

Best regards,
Anthony Miles
DP, Editor 4th Wall Productions, LLC
https://4thwalltvandfilm.com

[Anthony Miles]

Glad I could be the brunt of humor, we all need a laugh, now where do I buy that a B-Roll filter, I think the company that sells creative talent has that one too. 😉

Seriously you would think the market demand for such a thing would drive some creatively intelligent plug-in wiz bang group to make a transition to allow editors to quicly and easily morph 2 sections of the same composition/shot together and have it be seemless or relatively.

Why not Boris FX in RED with the optical flow technology they use to paint out foreground objects, etc, shouldn’t this be doable?

I would gladly pay 200 for it if it was a simple drag and drop, and I would think many other would as well.

Thanks for the feedback.

Anthony Miles
DP, editor