Forum Replies Created

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  • Anthony Bari jr.

    January 6, 2011 at 3:02 am in reply to: Making split screens

    Also, something like todo instead of using the center parameter in the motion tab

    Just start using image&wireframe in the Canvas(top right) and place them where you want to see them

    *pay attention to the title and action safe marks*

    You can also, hold shift and drag on the x or y axis.

    hope this helps.

    *Production*Post-Production*
    Apple Certified Instructor (Final Cut Pro 7)
    “Semper Fi USMC”

  • Anthony Bari jr.

    January 6, 2011 at 2:57 am in reply to: Making split screens

    a few simple things,

    Stack your clips then,

    Just size one of the clips the way you like it, then CMD+C or right click>copy

    Then Right click>Paste Attributes to the other clips in the stack.
    check basic motion or crop

    *you can apply this to as many clips as you want.

    *Production*Post-Production*
    Apple Certified Instructor (Final Cut Pro 7)
    “Semper Fi USMC”

  • Anthony Bari jr.

    January 6, 2011 at 2:56 am in reply to: FCP6 Choppy HD Playback

    The USB is the problem. Like you will hear over and over again.

    You can also start buying enclosures with FW ports and just making your own drives for cheaper.
    but internal drives 2.5 or 3.5 and then casing. Still cheaper then buying a new portable HD off the shelf at the store.
    Newegg.com,Macsales.com, or Directron.com

    Just don’t edit on USB HD’s

    *Production*Post-Production*
    Apple Certified Instructor (Final Cut Pro 7)
    “Semper Fi USMC”

  • Anthony Bari jr.

    January 5, 2011 at 3:10 pm in reply to: Chroma Subsampling in HDSLRs once and for all…

    It is 4:2:0
    You should look into the cineform codec, for high end FX plates.

    *Production*Post-Production*
    Apple Certified Instructor (Final Cut Pro 7)
    “Semper Fi USMC”

  • Anthony Bari jr.

    January 5, 2011 at 2:59 pm in reply to: 7D to FCP Ingest Workflow Issue

    Make sure that the DCIM folder is included, not just the MVI and THM files. If you stripped that already,
    try to make a DCIM folder then place all files intact in that folder.

    Moving forward when you offload your cards to Harddrives make a new folder>name it(example:010111_Cam_A_card1)>copy all or just the DCIM folder>Paste to folder on Hard Drive

    This will be recognized as a card only if the DCIM folder is intact. Not just the files.

    Hope that helps.

    *Production*Post-Production*
    Apple Certified Instructor (Final Cut Pro 7)
    “Semper Fi USMC”

  • Anthony Bari jr.

    January 5, 2011 at 2:52 pm in reply to: Final Cut – exporting sequence issue

    Do you want to export in AVI? if so you will need flipformac, the full version is not included in FCP
    Also, what version of FCP are you on?

    In the browser window(top right) right click on the Sequence icon you want exported choose> export>using qt conversion. Then choose the compression you desire.

    Check your sequence settings, Opt+Q while your in the current timeline you want exported.
    make to compression is set to DV.

    hope that helps.

    *Production*Post-Production*
    Apple Certified Instructor (Final Cut Pro 7)
    “Semper Fi USMC”

  • Anthony Bari jr.

    January 4, 2011 at 6:25 pm in reply to: FCP Compatibility

    Is this a question about the FCP files? or about installing older versions of FCP on your mac.

    *Production*Post-Production*
    Apple Certified Instructor (Final Cut Pro 7)
    “Semper Fi USMC”

  • Anthony Bari jr.

    January 4, 2011 at 4:07 pm in reply to: final cut install

    do all updates OS and FCP, QT and Pro Apps.

    post a screenshot. before you go trashing the prefs file.

    *Production*Post-Production*
    Apple Certified Instructor (Final Cut Pro 7)
    “Semper Fi USMC”

  • Anthony Bari jr.

    January 4, 2011 at 4:04 pm in reply to: FCP Compatibility

    Yes, the will, once you save you cant open in the older version

    Open a fcp4 file in fcp7 hit save its an fcp7 file now.

    *Production*Post-Production*
    Apple Certified Instructor (Final Cut Pro 7)
    “Semper Fi USMC”

  • Anthony Bari jr.

    January 4, 2011 at 3:28 pm in reply to: Canon EOS 5D Mark II – good for chroma keying?

    H.264 off the camera has a 4:2:2 color space
    just like the ProRes 422 codec

    *Production*Post-Production*
    Apple Certified Instructor (Final Cut Pro 7)
    “Semper Fi USMC”

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