Angelo Lorenzo
Forum Replies Created
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The 24fps presets for DSLRs are usually 23.976. Not that dropping a 23.976fps clip onto a 24fps timeline does much; it duplicates every 1001st frame.
From there it’s mostly frame size. If GoPro calls their 1080×1920 image 2K then you’re working with, basically, the exact same files.
Streamclip wouldn’t be needed at all in this situation. GoPro footage uses H.264 compression. Premiere also bypasses Quicktime for the h.264 codec so performance in the mp4 container should be the same as well.
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Angelo LorenzoNeed to encode ProRes on your Windows PC?
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The issue is that Windows uses drive letters as mount points while Mac uses /volume/….. as it’s mount point. Premiere and AE are fairly robust about linking projects that sit in or around it in terms of relative subfolders; if you have your project files on your system or another network drive or another folder structure, then this is what really forces Premiere to relink. I can only assume Prelude would operate the same way.
I would not consider Prelude an offline editor. It is a tool for logging and producer’s assemblies. Prelude uses one track of video, no gaps, no second system audio, and so on… introducing it for your uses may be slowing you down.
I would wait it out as CS7 (days away) should have superior tools for relinking. Short of that, something like reTooled’s reLink may be an alternative to your in-house solution https://www.retooled.net/?page_id=784
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Angelo LorenzoNeed to encode ProRes on your Windows PC?
Introducing ProRes Helper, an awesome little app that makes it possible
Fallen Empire Digital Production Services – Los Angeles
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Fallen Empire – The Blog
A blog dedicated to filmmaking, the RED workflow, and DIT tips and tricks
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You cannot. Two solutions: nest the clip and zoom in on the nest or add the “Camera View” effect and control the zoom parameter. The latter will probably be the easiest.
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Angelo LorenzoNeed to encode ProRes on your Windows PC?
Introducing ProRes Helper, an awesome little app that makes it possible
Fallen Empire Digital Production Services – Los Angeles
RED transcoding, on-set DIT, and RED Epic rental services
Fallen Empire – The Blog
A blog dedicated to filmmaking, the RED workflow, and DIT tips and tricks
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https://forums.adobe.com/message/4176282 seems to be related to warp stabilizer… click continue a bunch of times then save a version of your project with warp stabilizer removed from your clips.
You could also open a new project and import this project into it. Fixes a lot of strange issues this way too.
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Angelo LorenzoNeed to encode ProRes on your Windows PC?
Introducing ProRes Helper, an awesome little app that makes it possible
Fallen Empire Digital Production Services – Los Angeles
RED transcoding, on-set DIT, and RED Epic rental services
Fallen Empire – The Blog
A blog dedicated to filmmaking, the RED workflow, and DIT tips and tricks
Can your post production question fit in a tweet? Follow me on Twitter -
You may want to look into the Echo effect https://help.adobe.com/en_US/aftereffects/cs/using/WS09B6A698-8F9E-4a00-8D1B-07FC62FB2D30a.html#WS3878526689cb91655866c1103a9d3c597-7a57a
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Angelo LorenzoNeed to encode ProRes on your Windows PC?
Introducing ProRes Helper, an awesome little app that makes it possible
Fallen Empire Digital Production Services – Los Angeles
RED transcoding, on-set DIT, and RED Epic rental services
Fallen Empire – The Blog
A blog dedicated to filmmaking, the RED workflow, and DIT tips and tricks
Can your post production question fit in a tweet? Follow me on Twitter -
60 to 24 is 250%
60 to 23.976 is 250.25%It’s not impossible unless it’s a rap song. 😉 https://www.youtube.com/watch?v=yOFxb0F2F2A
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Angelo LorenzoNeed to encode ProRes on your Windows PC?
Introducing ProRes Helper, an awesome little app that makes it possible
Fallen Empire Digital Production Services – Los Angeles
RED transcoding, on-set DIT, and RED Epic rental services
Fallen Empire – The Blog
A blog dedicated to filmmaking, the RED workflow, and DIT tips and tricks
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It appears this update is for “Adobe CSXS InfrastructureCS6” for every Adobe app. Looks like an update to a portion of some supporting code and not an update for Premiere directly, thus no need for a version update.
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Angelo LorenzoNeed to encode ProRes on your Windows PC?
Introducing ProRes Helper, an awesome little app that makes it possible
Fallen Empire Digital Production Services – Los Angeles
RED transcoding, on-set DIT, and RED Epic rental services
Fallen Empire – The Blog
A blog dedicated to filmmaking, the RED workflow, and DIT tips and tricks
Can your post production question fit in a tweet? Follow me on Twitter -
Tim, correct me if I’m wrong, but I believe Premiere Pro uses a custom decoder for MOV h.264 and bypasses Quicktime for performance reasons. Is this also single threaded?
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Angelo LorenzoNeed to encode ProRes on your Windows PC?
Introducing ProRes Helper, an awesome little app that makes it possible
Fallen Empire Digital Production Services – Los Angeles
RED transcoding, on-set DIT, and RED Epic rental services
Fallen Empire – The Blog
A blog dedicated to filmmaking, the RED workflow, and DIT tips and tricks
Can your post production question fit in a tweet? Follow me on Twitter -
Angelo Lorenzo
April 28, 2013 at 4:20 pm in reply to: I don’t know the answer, but I think I now know the questionI agree with Tom, since we narrowed it down to scaling then I would say a proper CUDA enabled card would help the most with performance. The GPU takes care of scaling and GPU enabled simple effects so you’ll see good performance gains.
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Angelo LorenzoNeed to encode ProRes on your Windows PC?
Introducing ProRes Helper, an awesome little app that makes it possible
Fallen Empire Digital Production Services – Los Angeles
RED transcoding, on-set DIT, and RED Epic rental services
Fallen Empire – The Blog
A blog dedicated to filmmaking, the RED workflow, and DIT tips and tricks
Can your post production question fit in a tweet? Follow me on Twitter -
Well with Final Cut, I assume you were using a ProRes workflow where you were converting your 5D files before editing? You can still do that in Premiere, and maybe you should for the sake of performance https://blogs.adobe.com/VideoRoad/2011/08/a-prores-workflow-end-to-end.html
Also, merged clips are a pain in the butt. The problem with EDLs is that it uses the clip name in the timeline. With merged clips, the audio isn’t “audio.wav”, it’s the merged clip’s name like “movie.mov – merged”. I have an in-house tool that goes through and sanitizes names to match their source file names before I move to generating an EDL. I may release this tool after Premiere Pro Next (I assume CS7) is released in a few weeks, to see if this issue persists or if it’s a legacy issue.
If you know you have to go to EDL, it’s best to avoid multicam and merged clips.
You can add comment markers to merged clips, how are you attempting to? I just open the merged clip in the source monitor mark it, and then edit the marker to add text comments.
https://www.fallenempiredigital.com/blog/2012/12/27/adobe-premiere-pro-cs6-merged-clips-within-final-cut-pro-xml/ should be helpful understanding how merged clips work if you ever need to move a project back to FCP.
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Angelo LorenzoNeed to encode ProRes on your Windows PC?
Introducing ProRes Helper, an awesome little app that makes it possible
Fallen Empire Digital Production Services – Los Angeles
RED transcoding, on-set DIT, and RED Epic rental services
Fallen Empire – The Blog
A blog dedicated to filmmaking, the RED workflow, and DIT tips and tricks
Can your post production question fit in a tweet? Follow me on Twitter