Forum Replies Created

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  • [Michael Gissing] “With Resolve, I have been using the Tangent and although it is not as well laid out as the Tangent implementation in Color, it sure beats grading with a mouse.”

    The control surface lets you adjust several parameters at once as opposed to one operation at a time when using a mouse. Just seeing a 2-3 minute long video of a control surface in action is usually not impressive. It is when you work with it for several hours and you don’t have to use mouse click after mouse click after mouse click that the benefits are revealed.

  • Andy Patterson

    September 20, 2017 at 8:38 pm in reply to: DaVinci Resolve 14 for Final Cut Pro 7 Users

    [Brian Seegmiller] “Andy Patterson,

    FCP X = $299.99
    FCP X + plugins = $799.99

    Premiere Pro CC for Teams= $69.99 per month
    Premiere Pro CC = $828 per year
    Premiere Pro CC for 5 years = $4,140
    Premiere Pro CC for 10 years = $8,280
    Shall I go on?

    Paying once for FCP X, priceless.

    What is your point?”

    The plugins can add up to more than the FCPX software. Also the CC has some cool plugins like Photoshop, Illustrator, After Effects, Dreamweaver, InDesign and many other programs

    Someone claimed Avid’s MC is like a printing press and Premiere Pro was like a color printer while FCPX was like a web page. Let me see you print out a newspaper using Avid’s MC or design a website using FCPX. I am not a fan of the CC but you have to admit the CC is a full multimedia solution. You don’t just get Premiere Pro for $50.00.

    [Brian Seegmiller] “Yes, FCP X was half baked when released, get over it. Is it solid now, yes and no. For the majority of users it works just fine. For those that need more, third party developers can fill that need.”

    Get over it?

    My point is that I don’t think FCPX was half baked. It was missing a lot of features because it was released about 14 months to soon. That is not the same as half baked. Apple knew they could not wait 14 more months becuase Premiere Pro was gaining traction.

  • Andy Patterson

    September 20, 2017 at 8:25 pm in reply to: DaVinci Resolve 14 for Final Cut Pro 7 Users

    [Andrew Kimery] “Releasing something too soon is the very definition of half baked.”

    Half baked is just mediocre. Releasing a good idea to soon is releasing a good idea to soon. I am not saying The Essential Graphics Panel is a good idea. I do think it has potential but we will have to wait until NAB 2018 to know for sure.

    [Andrew Kimery] “I don’t think I would call their initial release half baked, just not fleshed out.”

    I agree but I am not the one who called it half baked. Brian stated it was half baked I stated it was released a year to soon. I think we agree.

  • [Warren Eig] “I use the Mackie Pro Control (MCU) with the eight fader extension. I wish it would be supported in FCPX like it was in FCP7 but, alas, no tracks in FCPX so no way to implement. I hope Resolve makes use of it one day…”

    That kind of sucks. I know Mackie has some cool control surfaces. I use a Korg nano Kontrol 2 with Premiere Pro and Audition. It works good for $59.99. It would be great if the faders were 15-20 millimeters longer but it works OK. It has your basic solo, mute, record buttons. The only bad thing is that when the solo and mute buttons are depressed they turn red. I wish the buttons would make use of red, yellow and green like most NLEs and DAWs.

  • Andy Patterson

    September 20, 2017 at 9:31 am in reply to: Interesting

    Keep in mind that Korg nanoKontrol 2 was not designed for Photoshop. Other control surfaces could allow for better integration with Photoshop. I posted the video because Phototshop doesn’t really ever get mentioned in this forum but control surfaces do. Having said that the Korg nanoKontrol 2 will work great with Adobe Audition and Premiere Pro. As far as taking your eyes of the computer screen that is why Microsoft released the Surface Studio with the Surface Dial. I thought that was really cool. Having said that I think it is cool to see alternative ways for people to do their work. I know other people use game pads with Premiere Pro and Photoshop. Perhaps you can post a video of your workflow using the game pad.

  • Andy Patterson

    September 20, 2017 at 5:57 am in reply to: DaVinci Resolve 14 for Final Cut Pro 7 Users

    [Brian Seegmiller] “A lot of the features in PP seem to be half baked. Then it takes a while for them to get to full potential because they will focus on another new feature that is half baked again. That is why I like third party offerings that can focus on developing plugins that work.”

    What exactly is half baked in Premiere Pro? The Essential Graphics Panel was probably released 14 -15 months to soon but the same could be said about FCPX. Was FCPX half baked? Is Apple’s Touchbar half baked? I would tend to think so since the awesome new keyboard for the iMac Pro does not have a touch bar. No one mentioned that : )

    FCPX $299.99!

    FCPX after plugins $799.99 : (

    I may have bought a Mac Mini but I don’t drink the Kool-Aid : )

  • Andy Patterson

    September 19, 2017 at 7:27 pm in reply to: DaVinci Resolve 14 for Final Cut Pro 7 Users

    DR has come a long way over the past 3 years. DR 14 looks very impressive. I was told Adobe is aware of BMD’s offerings. Adobe is going to have to bring there A-Game to NAB 2018. DR has some cool filters and the Fairlight integrations is awesome. Adobe needs to merge Audition into Premiere Pro as well as After Effects. The integration between programs is not bad but a merging of the programs would be even better. Adobe wasted a lot of time and effort creating a new titling systems that as of now is worse than what we had before. The Essential Graphics Panel is supposed to get better over time but I think it might have been better to release it at NAB 2018 when it was 100% ready.

  • Andy Patterson

    September 18, 2017 at 7:30 pm in reply to: Sure hope this place stays relevant…

    [Steve Connor] “[andy patterson] “Having said that what about the BS in the video link below from an editor who should have known better. I proved that to be false!

    Are you going to mention this in EVERY single post you make???”

    Bill has started several threads exactly like the one you are commenting now but that type or repetitiveness does not bother you. Having said that the video link was recently the topic of debate as someone mentioned. Many people badmouthed Premiere Pro. It demonstrates Bill has selective vision. I consider it worth posting in this thread.

    [Steve Connor] “[andy patterson] “Premiere Pro does not seem to bother you so why are you so concerned about FCPX? It seems like favoritism to me.”

    I know someone who does exactly the same thing for PPro, he even makes videos about it :)”

    Who in the Cow glorifies Premiere Pro? Please point them out. Who in the Cow starts threads every 6-7 weeks about people being hostile towards Premiere Pro? Who do you know like that?

    I set the record straight! Sometimes with a video sometime with a comment. Isn’t it good to eliminate the BS at the Cow? Shouldn’t that be encourage around here rather than just spewing BS and useless rhetoric? Instead of glorifying FCPX Bill should demonstrate in a video how FCPX can do pancake editing better than Premiere Pro or something similar? Having said who on the Cow claims time and time again that Premiere Pro is revolutionary, amazing and innovative? Please call that person out for me. For the record I myself have bad mouthed Premiere Pro more than FCPX here at the Cow. I also have videos where I badmouth Premiere Pro. Having said that how many times have you badmouthed FCPX. Is it really wise for the pot to call the kettle black?

  • Andy Patterson

    September 18, 2017 at 1:15 am in reply to: Sure hope this place stays relevant…

    [Bill Davis] “How about this (which I will copy/paste anonymously) from a last Wednesday post in a big forum with lots of X users…

    “FCPX is just simply a joke”
    And
    “FCPX is an excellent NLE for wedding videos and your Instagram, but a professional workflow in professional environments? Not so much.”

    And it was posted by a young post professional who really should know better, not some noob.

    I think that’s pretty clear evidence the BS keeps flowing.”

    Please provide a link to what you a referencing.

    Having said that what about the BS in the video link below from an editor who should have known better. I proved that to be false!

    https://www.youtube.com/watch?v=yzcnXFhTC1k&t=876s

    [Bill Davis] “You guys might not see this type of things a ton here – because the general tone of respect fox X has totally flipped in this forum from where it was a few years back. But out in the wild, it’s DEFINITELY still a virulent strain that continues to be spread.”

    People have hate and hostility towards Avid and Premiere Pro but that does not bother you.

    [Bill Davis] “The big difference is that where here some years back the pushback came from very few of us, this time that post was met with a pretty massive pushback with a cadre of well experienced X editors working on large pro projects in multiple countries weighing in quite forcefully.”

    What is your point? Many world class (perhaps self proclaimed) FCPX users bad mouthed the titling system of Premiere Pro. I proved that to be false. False information about Premiere Pro does not seem to bother you so why are you so concerned about FCPX? It seems like favoritism to me.

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  • [Thor Kousted] “Some clips where panning is involved its as if the panning is going too fast and the clip get these “jagged lines” as if its repeating frames.”

    It sounds like 50i instead of 50P. If you op to have the playback windows size at 50% instead of fit to fill and the jagged lines are no longer an issues you have interlaced video with 50 fields per second as opposed to 50 frames per second. That is why people buy broadcast equipment like in the video link below.

    https://youtu.be/u_gOE67i-MI

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