Andy Bay
Forum Replies Created
-
Works perfectly!
Thank you so much Dan, I’m always amazed at your helpfulness around here!
-
Premiere can indeed combine audio channels. Here is a quick one minute tutorial of the process:
https://oneminutevideotutorials.com/?p=118
-
Still no timeline folders or layer grouping though? You got to be kidding Adobe. This feature has been a top request for years now. How hard can it be to code some basic grouping functions to the timeline?
-
Thomas Kiddle -I have been thinking about that too. The way I see it, it should be possible to somehow tie the time-remapping of the video to a tracked point in order to make the picture move at a constant speed. I just don’t have the math or coding skills to calculate how it should be done in practise. Does anyone else think this could be pulled off?
-
Thanks Dave, that is a good enough solution for my problem!
-
Am I sensing a little bit of sceptisism? 🙂
I am familiar with the technique and I use it on a frequent basis in my work. The problem is only that the footage is not stabilized in AE but in another program, so the motion tile is not correctly picking up the boundaries of the footage.
Does anyone have any suggestions on how to get motion tile to attach to the actual video instead of the whole frame including the transparent edges?
-
Dave, it is a common technique used by many after stabilizing motion. I think I originally picked it up from a tutorial, maybe by Andrew Kramer. The image is basically mirrored side by side so that you don’t need to scale the footage up so much to compensate for the black edges left by the stabilization process. It sure does not work in many situations, especially if there is a lot of distinct detail in the image, but for for footage of sky for example it works great. Basically it’s just to avoid having to scale the image up so much to compensate for the stabilization.
-
Same problem here, using AE cs 4.1.. I can see the speed curve handles though..
-
Seems like things have changed a bit since CS3. Replacing a clip in Pr with an Ae comp gives a yellow render bar which won’t render simply by hitting enter.
I don’t know if there is a better way to mark a clip with the work area bar. I myself assigned b and n keys to mark the beginning and the end so that Pr works like Ae.
-
Ah, thank you Jon that was it!
This used to work differently in CS3, because in CS3 I always got the red bar for an dynamically linked AE comp in Premiere. I guess I just have to get used to the idea that hitting enter won’t render the ae comps anymore. Good to know that it’s not a bug though. Thank you again for your response!