Ali Quintana
Forum Replies Created
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thx, u mean latest update of AE?
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footage is tiff 16 bits at 2.5 K res
project is set to 32 bits
version AE CC 2014
Comp i7 (29,93) 24 bits ramm… quadro nvidia gCard
some how it started rendering, i put back to 8 bits and rendered then back to 32 bits and it keeps rendering, keeping my fingers crossed….
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I use Canon ef 24-70mm 2.8. is a great lens… can get you very far.
then for the wide angle you can try Tokina I think its 12mm – 16 mm also at 2.8. It is not full frame though
I also have the canon 18mm – 135 mm which is also not full frame but its not a bad lens.
These are EF lenses and u can always use them for photography as well and they will be easy to sell down the line. although I would not sell my collection.
If you want to go cine lens then its a different budget.
But then again, have a look at this :
https://nofilmschool.com/2015/05/can-you-tell-difference-between-150-stills-lens-15000-cine-prime
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by the way, so if no alpha needed, Tiff would do just fine then, in 16 bits of course
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Indeed, I will buy the codec then,
I am looking on the web, any recommendation for a trustworthy site to buy the proress 4444 for windows from?
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OK, thats a great way, is there also a way to archive all the footage used?
Like archive a folder with the Davinci file and all footage?
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Makes good sense.. interesting, thank you.
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Thats how I feel about it too….
Just one small question…
Does it really matter what goes first… stabilizing or first color grading and than stabilizing?
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Thx, for sharing your experience.
but does that mean u stabilize in Davince and then bring that stabilized footage ito AE???
I dont think u mean that, just try in resolve, and the try moving stabilized footage in AE to try there.
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OK and TIFF 16 bits of course…
I would need to render a separate audio file.
What would be best quality render of audio embedded? Just quicktime uncompressed?