Alex Udell
1
Premiere Pro Coin
Forum Replies Created
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Probably best handled in AE because it can be batched and there are tools our there to help automate this once you have it set up.
A cheat that is used often, is design for the web size,
then in a comp at at the Broadcast RES,
scale to fit within safe,
layer the file over itself, then scale up the background proportionally to fill the frame…
and then blur it a bit.
In AE you can essentially open the project, replace the footage in the project panel, edit the comp duration as necessary, or if you get fancier there are ways to batch out comps from a setup…
so it’s separate masters, but it takes minimal effort to make the versions.
hth,
Alex Udell
Editing, Motion Graphics, and Visual FX
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Hi….
story telling editorial or lots of layering within Ppro?
this might help ppl with their responses.
Alex Udell
Editing, Motion Graphics, and Visual FX
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Hi…
Can you do the web design frame as an element with alpha on top of the video player?
Instead of including it in the video render itself?
CSS and Z-index
https://www.youtube.com/watch?v=PFl_kB6bnRs
then as long as you know the aspect ratio you can cheat and render the video at 50% size but set the video player properties to 200%
that will make your video fill the frame and the filesize would be smaller.
Alex Udell
Editing, Motion Graphics, and Visual FX
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Examples: Retail Automotive Motion Graphics Spots
Example: Customer Facing Explainer Video
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Hmmmm….
I understand your dilemma. But your ratio says a lot.
you’re trying to account for homogenizing a workflow for the .1% of videos that will go to broadcast. In my mind, that’s sacrificing a lot for the fraction of work that will be viewed on TV…
But I understand that things can get really busy, and splintering formats do complicate things.
So…
When you say “titlesafe for broadcast”
are you referring to a standard HD aspect frame
or
are you referring to 4:3 center cut within an HD frame?
knowing that might help me to help you.
thanks!
Alex Udell
Editing, Motion Graphics, and Visual FX
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is it single MXF files or are the the atomized spec requiring a folder structure?
Alex Udell
Editing, Motion Graphics, and Visual FX
Let’s Connect on Linkedin
Examples: Retail Automotive Motion Graphics Spots
Example: Customer Facing Explainer Video
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What resolution is the ftg?
IF…..
that number of streams can be done at all….
needs to be on an SSD or RAID that is connected via FAST connection
(like SATA or Thunderbolt)…
more RAM would be helpful for sure…
OR….
I don’t know whether this can be done without:
1) Proxy transcoding source down to something like DV widescreen codec
2) creating multicam from that
3) cutting that multicam
4) duplicating that multicam edited sequence
5) flattening the edit (meaning exposing the underlying mutlicam source for each edit)
6) and then relinking the source back to your full res materialI’d think that’s the only way you’re gonna get a stream count approaching what you need to make the edit.
Alex Udell
Editing, Motion Graphics, and Visual FX
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Examples: Retail Automotive Motion Graphics Spots
Example: Customer Facing Explainer Video
Example: Infotainment & Package editorial -
Hi,
here:
File > Project Settings > General > Display the Project Items nam and Label color for all instances
make sure that is checked….
(weird that it’s not in Prefs to me)….
hth,
Alex Udell
Editing, Motion Graphics, and Visual FX
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Examples: Retail Automotive Motion Graphics Spots
Example: Customer Facing Explainer Video
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Hey Jeremy….
so are you doing a visual match checking for slipped frames?
An ungraded export reference layer layered into the timeline, might be useful here.
You can retain all the match clip, and offline everything else and do you check for difference.
that’s the only thing I can think of off the top of my head.
hth,
Alex Udell
Editing, Motion Graphics, and Visual FX
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Examples: Retail Automotive Motion Graphics Spots
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Only from a cursory knowledge…
comparing disperate shots side by side
trackable masks (shape based color correction) with inside and outside corrections per mask is probably much more easily attained in a Grading app than in the editor.
then again….how of your work calls for that level of detail?
in our agency…
we’ll spend some time doing grading on resusable beauty shots… and file the corrected files for re use…
so that might be a way to delegate the expertise as has been mentioned in the thread.
Alex Udell
Editing, Motion Graphics, and Visual FX
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Examples: Retail Automotive Motion Graphics Spots
Example: Customer Facing Explainer Video
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Yep….even if you are marking selects in the source viewer…
those marks will be accessible in media encoder without having them in a sequence…
Alex Udell
Editing, Motion Graphics, and Visual FX
Let’s Connect on Linkedin
Examples: Retail Automotive Motion Graphics Spots
Example: Customer Facing Explainer Video
Example: Infotainment & Package editorial
