Forum Replies Created

Page 159 of 233
  • Alex Udell

    July 18, 2011 at 4:06 pm in reply to: Color Balance Not Reflected In AE

    nope…

    once you’ve selected it and chosen copy….

    it’s in the copy buffer.

    then you can select the destination clip(s) without the source still being selected…

    Alex

  • Alex Udell

    July 18, 2011 at 3:08 pm in reply to: Color Balance Not Reflected In AE

    Also….

    I’m curious….

    what method are you using to create the dymnamic link?

    “Replace with Comp”

    I could be that while the media is getting passed, the filter is not…as long as the CC filter you are using is available in both apps you should be able to copy and paste it between the two….

    so select the clip in ppro sequence, select the CC filter in the Effects Controls Panel, COPY

    Jump to AE open the select the comp and see if you can PASTE the filter.

    If it’s not doing this, I agree it’s quite an annoying oversight….definitely worthy of feature request.

    Alex

  • Alex Udell

    July 18, 2011 at 2:07 pm in reply to: Color Balance Not Reflected In AE

    Yes…

    select the clip with the effects on it you want…

    then select the destination clip and choose “Paste Attributes”

    Alex

  • Alex Udell

    July 18, 2011 at 2:05 pm in reply to: Question about AVCHD Clip Rename

    You might take a look at some of the tools that Image Products offers.

    Don’t know for sure, but they might be of some help.

    Imagineproducts(dot)com

    Lemme know what you find….I’d be interested….

    Alex

  • Alex Udell

    July 17, 2011 at 4:32 pm in reply to: FCP to PPro – teething Problems 1

    https://tv.adobe.com/watch/adobe-evangelists-karl-soule/mapping-audio-channels-in-premiere-pro/

    Karl Soule talks a bit about audio channel mapping in PPro

    Alex

  • Alex Udell

    July 17, 2011 at 1:14 pm in reply to: Question about AVCHD Clip Rename

    In general, file naming, and structured folder sets are two of the most annoying aspects of managing the process of native format editing.

    Alex Udell
    Editing, Motion Graphics, and Visual FX
    Chumney & Assoc. Advertising

  • Alex Udell

    July 15, 2011 at 8:15 pm in reply to: getting customized workspaces to load on launch

    Make a “Template” project with the layout want.

    Duplicate that project, and launch PPro from the duplicate.

    Alex

  • Alex Udell

    July 15, 2011 at 8:14 pm in reply to: FCP to PPro – teething Problems 1

    Julian…

    right…what you are used to is FCP treating every track as mono

    Ppro can do that, but it’s default behavior is to include stereo tracks in the sequence as well. (all this can be customized)

    If you can get to looking at the waveform in the track you will lilkely notice that you will actually see both left and right waveforms within one track (noting that it’s a stereo track)

    Since you can’t place a stereo source to a mono track, or vice versa, premiere is using first available track of matching type…

    Right clicking on the track label area should give you the ability to add additional tracks of both audio and video. read that dialog carefully, can be a little tricky.

    Alex

  • Alex Udell

    July 15, 2011 at 5:15 pm in reply to: FCP to PPro – teething Problems 1

    1) Effects controls: These parameters can be found in the effects controls panel. By default it’s a tab docked in the source viewer panel, so in that way it’s similar to FCP. Rather than breaking it out into tabs, the main panel is broken into fixed fx (things that ever clip has) an standard effects (filters you apply).

    2) Audio: you’ll notice that PPro has more options when it comes to dealing with audio righton the timeline. Tracks can be stereo, mono, or you can even set up for 5.1. so the reason why you audio is dropping down to lower tracks is that you source audio mapping (stereo vs. mono) is different from the default setup for the first couple tracks in your sequecne, so PPro just adds the type you need or drops in first active available tracks. That’s why you can’tmove them up. look at the edge of the audio track you’ll see what look like a bow tie for a stereo track (2 speakers) or half bow tie for mono tracks. There are options in the prefs for dealing with how you want audio dealt with. So stereo sources can be used as split track mono, for example, BUT you have to set that up before you use a source in any sequence in your project. Also wave forms can be viewed on the timeline, by just using the turn down arrow in the audio track.

    hope that helps…

    Alex

  • Alex Udell

    July 13, 2011 at 5:54 pm in reply to: Is there a way to search projects?

    windows or mac?

    if on mac, shouldn’t spotlight see into the project enough to help you out?

    Alex

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