Alex Rinquest
Forum Replies Created
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Forgive me for being brain dead but I would have thought that if the 720p was projected in a playlist – let’s say VLC, that it would have projected a smaller image than the 1080p on screen. I wish I had been there so I am speculating. At the event the 720p was upsized resulting in cutoff. I am assuming that the file was not reformatted in anyway prior to screening.
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Chris are you saying that the initial export from DVCAM should have been to 1080p rather than 720 p? From what I understand the decision to export to 720p was because 1080p would have been a large jump from the original DVCAM size?
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I did this at first but it resulted in random movement jitter so I tried the HD timeline and then exported to SD.
Maybe it’s time to try once again – once more to the breach dear friends…
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Sorry I should have mentioned we are working in PAL –
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Thank you for that clarity:)
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Think that was a dumb question:)
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Second question can I edit with the gopro footage and deinterlace in premiere timeline or should I convert footage beforehand?
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Many Thanks for that – I need to deliver in file format so I did not want to lose the 4:2:2 information.
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You started your post and then did not complete it. I have an Adaptec 1420Sa with 4 x 1 Sata drives. I am running Win 7 64bit. My supplier installed the drives and the card. While on booting up I am able to see the two raid drives and their configuration- that’s as far as it gets. I cannot see them on the desktop. I have emailed Adaptec but have no response after two weeks. There is a convoluted linus setup CD which requires a floppy disk(to create a driver disk) but sadly I have no floppy drive. The Adaptec Driver CD boots up but then hangs with 4 penguins and many rows of dots. Yes I am taking this back to the installer but it would be so much more convenient if anyone could advise me how to get these drives on the desktop. Have had no problems at all with adaptec on my Media 100 and Mac – this is the first.
Many thanks
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Cameras are still a learning curve for me.
I have never noticed much degradation importing an animation file into the higher formats but it has been very apparent with DV…and our cameraman has suggested that possibly we should be shooting progressive rather than interlaced…so it is all murky waters for me at the moment.
The scenario we are working in is a typical corporate message video with no ‘sporting type action’ which when edited will be compressed to MPEG-2 by the media provider (progressive) and will be downloaded via datasat to remote PC-players in national stores. Final ouput to feed plasma screens. The gap remaining in the 16:display is taken up with text messaging. Obviously we are hoping for more of the same so we’d like to get our product optimum.
Many thanks once again