Alan Lloyd
Forum Replies Created
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No, the easiest way to do it is to run the cable to the camera and not have to sync it up in post.
Once it’s there it’s there. Full stop.
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I suspect setting up file names would best be done at the earliest point in the project.
As for everything being in one folder after Project Manager saves it, if it preserves your project structure internally, what’s the problem? If you’re backing something up because you might need to get back to it, it will load.
Preserving outs & trims is another matter. I’d put any additional assets you may need back into the same (Windows) directory in a well-named folder, just for that reason. If you’re going back to something odds are it will be to make a change downstream as much as to re-output the original.
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Why not arrange for a regular wireless mic or two?
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The absolute best solution for your panel is tabletop gooseneck mics run through a snake into a mixer, and then take that feed. Passing a single mic is an invitation to bad sound. (Talking off-mic, handling noise, etc.)
For the “dinner table” setting I hope you can budget for a boom op, or one bodypack per participant.
All this depends on your budget, of course.
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Given both that and your initial observation that they play elsewhere and play if transcoded, the files are not corrupt.
Something else is going on.
I can’t speak to what.
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Ever get this sorted?
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Doubtful.
Is the file structure complete on the card?
I notice people seem to have more issues with Premiere on Mac. (Just an observation.)
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I had a chance to use an FS-7 a while back and went end-to-end on my Windows 7 PC with no trouble whatsoever. (Both 1080P and 4K, for that matter.)
Did you take the files from the cards themselves or otherwise?
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Touching the unit and having the noise decrease could be significant.
Just out of curiosity, is there anything HD-SDI in proximity that’s not using properly rated cabling?
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I’ve used Optical Flow a few times and if you can live with the added render time, the output looks fantastic.