Alan Lloyd
Forum Replies Created
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The oversampling will probably give you somewhat cleaner edges.
I’d at least try an experiment with greenscreen removal at the full size then reducing to 1080 for compositing – just a hunch, I don’t have anything like that in front of me at the moment.
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Encore comes with Premiere Pro CS6. Install that and you’ll also be installing Encore.
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Your machine is seriously underpowered. 8 GB of RAM is not nearly enough, and I suspect drive speed is an issue as well.
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Daniel gave you some good advice, though I do feel a need to point out that there is no such animal as a “null object” in Premiere.
Corner pinning is found in the “Distort” effects, BTW. If all your clips to be pinned are the same resolution, the replacing Daniel cites will work. And there’s no reason you can’t save that as a custom preset to apply in other projects as well.
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Asking for legal advice in internet form posts? Your answers will be worth every cent you paid for them!
There’s only one answer here: It depends.
Depends on what?
Where are you? What are the YouTube posts you’re referring to? Who owns that intellectual property? Has your client company run this through legal?
(Don’t think you can’t be partially liable, either.)
Those and more. Personally, I’d advise against it, and more to the point, I would not do it. Do you want to be known as someone who appropriates the IP of others?
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The little camera icon exports your current frame as an image (file format of your choice – I like PNG) and gives you the option of importing it into your current project. From there, edit it Photoshop as you will.
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I’ve had decent results at 720P with a 3 megabit data rate. Especially if the content is a speaker at a podium.
That being the case, I’d try even lower – if you feel like experimenting. Then make and save your custom preset and you can simply apply it to every file you output as you go along.
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To add, just right-click on each MP3 in turn and from the menu, select “Edit in Adobe Audition” and off you go.
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Simply round-tripping an audio track to Audition will convert it to .wav format and sub it in on the timeline – presuming you use Dynamic Link. I’ve been doing that for a number of projects with interesting nat sound recently and sending an audio clip to Audition exports, and substitutes, a .wav file on the timeline that then tracks what I save out of Audition as I modify something.
If you don’t change anything you’ll still end up with the files there in place, one-for-one.
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Or even rental.
Really, if the budget is too small for a wireless mic rental, is the event worth taking on?