Aanarav Sareen
Forum Replies Created
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[lisaj] “How about the MACs…are they as stable as everyone says?”
If they say that the Macs crash as well, then it is as stable as everyone says 🙂
[lisaj] “How about Motion vs. After Effects?”
These are 2 completely different things…
Aanarav Sareen
premiere@asvideoproductions.com
https://www.asvideoproductions.com/techtalk -
I don’t think that there is a minimum requirement, but that resolution should work. If you don’t think that it is sufficient, I would recommend upgrading the video-card.
Aanarav Sareen
premiere@asvideoproductions.com
https://www.asvideoproductions.com/techtalk -
Take a look at this:
https://ppro.wikia.com/wiki/Errors#OSErr.2C_-224Aanarav Sareen
premiere@asvideoproductions.com
https://www.asvideoproductions.com/techtalk -
[35mmGuy] “But I’ve seen the QT .mov files work in Premiere Pro just fine before without any problems. That’s why I’m baffled??????????????”
They do work, but not well. How were your MOV files encoded?
Aanarav Sareen
premiere@asvideoproductions.com
https://www.asvideoproductions.com/techtalk -
[Aanarav Sareen] “80% of the scripts submitted fall under the category “ridiculous” or “been there…done that””
Sorry, that should say 90%. Out of the 10% that do move on, most of them are cut because of financial/legal/creative reasons.
– Aanarav
Aanarav Sareen
premiere@asvideoproductions.com
https://www.asvideoproductions.com/techtalk -
[Bob Cole] “”So you’re telling me there’s a chance.” (Lloyd, “Dumb and Dumber”)”
There is always a chance. 🙂
[Bob Cole] “What does your friend say about the quality of the 200 scripts? Of those, how many are awful/promising/not quite there….”
From what I am told, 80% of the scripts submitted fall under the category “ridiculous” or “been there…done that” The other 10% then move forward to other departments (finance, legal etc.)
[Bob Cole] “And of the 1/200 scripts that are picked up, how many are “virgins?” That is, scripts from unknowns, scripts therefore that are chosen based ONLY on their merits, vs. the reputation of the people attached to the project?”
Quite a few, actually. Although, if you are a reputed individual in the industry, the first step is usually easy to cross. But, all of them go through the same process. No special deals for anyone.
[Bob Cole] “It seems to me that choosing a successful film based on the screenplay must be one of the toughest jobs in the world, and I suspect that many screenplays are given a chance only because of extrinsic factors.”
It most certainly is difficult, but not impossible. In the 5 years I have been working in television, there are a few methods to get noticed.
– Aanarav
Aanarav Sareen
premiere@asvideoproductions.com
https://www.asvideoproductions.com/techtalk -
I would highly recommend NOT using Quicktime files. SImply hand the client a DV-AVI file, because Premiere Pro doesn’t like anything other than that.
Aanarav Sareen
premiere@asvideoproductions.com
https://www.asvideoproductions.com/techtalk -
Premiere Pro will generate an EDL without any problems. If you hear the Premiere Pro podcast (https://www.creativecow.net/appodcast), there is an episode where I interview Jacob Rosenberg. He goes over some of the improvements made in the application, such that it better handles film.
Aanarav Sareen
premiere@asvideoproductions.com
https://www.asvideoproductions.com/techtalk -
Aanarav Sareen
November 17, 2006 at 7:30 pm in reply to: Audio issues when exporting to quicktime in PPRO1.5.1Where did you acquire your source audio from? Was it from a DV camera or any other camera?
Aanarav Sareen
premiere@asvideoproductions.com
https://www.asvideoproductions.com/techtalk -
Premiere Pro can’t capture channels 3 and 4. However, if you download the trial version of ScLive, you will realize that it can. Also, ScLive is a highly efficient tool as compared to Premiere Pro’s capture tool.
If you want to capture channels 1&2 only in Premiere Pro, then you can capture the audio with the video and then split them up later. Let us know if you need help to split the audio and video.
Aanarav Sareen
premiere@asvideoproductions.com