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Activity Forums Apple Final Cut Pro Legacy Shooting my “Days of Thunder” project

  • Shooting my “Days of Thunder” project

    Posted by Michael Allen on May 21, 2009 at 8:34 pm

    I am currently planning production for a corporate Racing based production shot in HD. We are sponsoring a car and printing our logos for the new car wrap and side of the transport truck. This car is similar to NASCAR, however it is a couple of series down in order to improve sponsorship pricing. This car will actually race and the shots captured from the racing scenes will be integral to the entire production.

    Now that you have a little background, I will ask my questions. My first question is this. I usually shoot most of my productions with the Sony F350 in 24p, because I like the look. I know that with the cars moving at high speeds and shooting 24p, I am more likely to get shots that will not be nearly as smooth as shooting 60i. However, if is increase my shutter speed considerably (recommendations would be appreciated here) can I get good looking shots shooting in 24p. If it’s just a bad idea, let me know. If you have other recommendations for shooting race footage, especially camera setup, I would be thankful for that as well.

    Mike

    Steve Eisen replied 16 years, 12 months ago 3 Members · 2 Replies
  • 2 Replies
  • Walter Biscardi

    May 21, 2009 at 8:55 pm

    First off, be aware that if this is a NASCAR sanctioned track and a NASCAR sanctioned event, you need permission from NASCAR and the track to shoot anything. I have experience working with NASCAR and they are very very tough to deal with.

    We have multiple forums on shooting in HD and as your question deals with cameras and shooting, I would go to those forums and ask your question. Just click on the Forums link above to find the more appropriate forum for your questions.

    Walter Biscardi, Jr.
    Biscardi Creative Media
    HD and SD Production for Broadcast and Independent Productions.

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  • Steve Eisen

    May 21, 2009 at 10:39 pm

    I would strongly suggest shooting in 60i for fast action. The combination of Long Gop and 24p can create very unappealing results.

    Steve Eisen
    Eisen Video Productions
    Board of Directors
    Chicago Final Cut Pro Users Group

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